Looks at the importance of valuing children's play for its contributions to writing skills. Shares the insights a teacher derives from observing children in situations where they seem to be "only playing." Reminds readers of the crucial connection between assessment and teaching that should be maintained. (MG)

Discusses the differences between inauthentic and authentic writing, arguing that most writing in school is inauthentic, because it is written for someone else's intentions. Examples are cited from a classroom with an essentially whole language orientation, but which occasionally reverts to inauthentic writing assignments. (HTH)

Describes fourth-grade students' experiences during a concentrated research writing project. Shows through a case study how students learned to present objective information through a narrative vehicle. (HTH)

Describes five specific tools that provide the author's seventh-grade students with a set of easily accessible options for revising their writing. (SR)

Describes a study of a writing exchange between a classroom of teenagers (mostly African American, mostly male) in the United States and another classroom of students in England. Notes that even reluctant writers produced responses in a variety of styles. (SR)

Describes the reading and writing progress of one second-grade student. He moved from writing impersonal narratives to personal tales in which he created a role/self image, and he learned to see himself in literature. Eventually he learned to write to a specific audience as well. (SKC)

Discusses the importance of dialogue in learning, notes that it is lacking in many educational situations, and recommends the use of written dialogue journals as a means of communication between teachers and individual students. Points out the advantages of dialogue journals for improving writing for different social purposes. (SKC)

Presents brief stories of two students that illustrate how children's symbolic interactions and social relationships (how they interact with materials and people) influence their ways of gaining control over the interrelated parts of written language, and how these "casts of mind" may eventually emerge more fully within their stories.…