Studies whether students who reread their drafts aloud as they revise compose essays that are stylistically superior to those of students who do not. Finds this makes a difference for students with adequate to proficient reading skills but not for poor readers. Suggests basic writing courses should focus on reading and style, besides principles of…

Details, in a personal narrative, some techniques which have proved effective for enabling student success in the basic writing classroom. (PA)

Discusses the use of computers in teaching basic writing to college students. Offers computer exercises and activities which foster a whole-language curriculum. (PRA)

Examines the composing processes of basic writers, examining their tendencies toward writer's block, low-level goals, and writer-based prose. Suggests that basic writers be taught that the purpose of writing is to communicate with other people and that errors, revisions, and general messiness are part of the complicated process. (PAA)

Explores ways basic writers theorize identities that locate them in the larger culture. States that as part of the composing process students need to locate their own notions of the writer in a dominant culture that has labeled them "at risk." Studies student texts for "theories" about writing and identity; moves to construct…

Discusses a case study which suggests that educators should reexamine the way they presently teach reading and writing. Focuses on some of the educational/psychological contexts that influence the tacit reading/writing model of the subject. (MG)

Examines the use of music as a springboard for writing. Provides an explanation of how basic writing students can use music-writing activities to discover meaningful topics and ideas, to develop specific supporting details, and to understand the connections between purpose and audience. (RS)

Writing processes and writing skills are highly compatible, but only if "writing skills" are defined as genuinely helpful learning strategies rather than prescriptive techniques or isolated forms and rules. Increased skill is a product of meaningful practice, not prescriptive instructions or isolated drills. In the present context, the…

Suggests that the best writing curriculum for second language students is one that balances content and form, that calls for an attention to writing process and to written product, and that draws on knowledge from both teacher and student. Describes the "focus on form" approach the author uses in her mainstream basic writing class, as well as some…

Argues that Mina Shaughnessy's view of language as a politically innocent vehicle of meaning overlooks basic writers' need to confront the dissonance they experience between academic and other discourses. Suggests educators need to abandon the limitations of the essentialist view of language informing their pedagogy. (KEH)

Presents a sequenced writing assignment on shopping to aid basic writers. Describes a writing assignment focused around online and mail-order shopping. Notes steps in preparing for the assignment, the sequence, and discusses responses to the assignments. (SC)

Explores basic writing students' current writing processes, their thoughts on their writing, and their introduction to a structured writing process model. Suggests that educators can assist basic writers in becoming successful college writers by introducing them to a structured writing process model while also helping them to become reflective…

While placement procedures and lack of writing skills are certainly perplexing, classroom practices and procedures remain the most fundamental of challenges for the developmental writing instructor for good reason: time-on-task methods are the most direct means by which students improve skill levels. One instructor found that this approach to…

An instructor of a composition and computers writing course (designed for economically and culturally disadvantaged students) at the State University of New York at Buffalo, developed electronic conferences which combine the capabilities of the computer with the conference approach. The instructor reads students' papers while sitting at the…

While the roots of students' fear of writing go deep, students fear most the surface of writing. They fear that a person's language indicates the state not only of the mind but of the soul--thus their writing can make them look stupid and morally depraved. This fear of error and lack of confidence prevent students from developing a command of the…