This article addresses an under-researched area of graduate studies: the role of writing groups in developing the research and publication potential of university graduates. Drawing on focus group discussions with participants from a pilot program conducted in the Arts Faculty at Monash University in Australia, the authors investigate the outcomes…

This issue's column focuses on two practices that everyone has learned and utilized but possibly have forgotten. First, Michael offers a look into classroom management and what he needed to learn to be a more effective teacher. Second, Terry asks questions to remind himself and other writing teachers of the importance of helping students…

Advocates venturing deeper into rhetorical situation since covering it in a superficial way may pose more problems than ignoring it altogether. Offers examples of the kinds of problems students encounter with audience and purpose. Suggests grappling with these complexities rather than discounting them. (PA)

Suggests pushing students to explore their own knowledge of and instincts about their experiences as they write to any audience. Discusses the "when,""where," and "how" of revision. Discusses limiting scope and focus, adding dialogue and interviews, switching point of view and voice, and transforming research papers and narrative. (PRA)

Discusses the link between writing and the metaphor of voice. Examines aspects of reading and writing that are promoted through such discursive connections and what alternative approaches to writing and reading might be emphasized in their stead. Discusses how practices in the classroom change when the voice metaphor is not emphasized. (PRA)

Asks what it is that the audience wants. Suggests a reconceptualization of the rhetorical situation by re-engendering or transgendering the speaker/audience couple as "a hermaphrodite, as a con/fusion of Hermes, the god of messages, and Aphrodite, the goddess of love," as a way to invigorate rhetorical theory and current composition…

The media role model was recently developed to frame how science faculty members can teach their students to write more effectively to lay audiences (14). An Opinion Editorial (Op-Ed) was introduced as a novel assignment for final-year physiology and pharmacology undergraduates. This second phase of this study, reported here, demonstrated the…

"Frame alignment"--the conscious process of creating correspondence between one's own "frame" (ways of making meaning out circumstances) and someone else's--is a necessary condition for participation in organized social movements. Frame alignment processes may offer a generative and useful alternative to the reductive…

In teaching writing, the "audience" became and still is fundamental, leading to the question of how students can learn to adapt their text to the assumed readership and at the same time, learn to write for their addressees. A study focused on how writers cope with the writing process, asking several questions about the concept of…

Notes that one of the hardest parts of writing for beginning reporters is the lead. Contends that news stories need to have a clear focus that is reflected in the lead. Provides steps to help student writers with leads. (PM)

Explores what advanced student writers could be told about audience based on current principles of reading theory. Discusses reasons why teachers may not want to introduce students to these reading-based concepts of audience. (RS)

Suggests alternatives to marginal comments on students' papers as a way to encourage them to think more about the revision process. Recommends that teachers make no marks on the student's paper (only on a separate sheet), and ask leading questions in conference to guide the student to a focus. (RAE)

Describes a prewriting activity in which students form questions about their classmates' research topics. Notes that this activity provides students with multiple questions concerning their topics, and conveys the message that they will be writing for a real audience of peers. (MM)

Describes how, in a unit on Russia's history, culture, and future, eight high school students with writing difficulties presented their work to small student groups, a teacher alone, one student, and finally themselves via videotape. Notes that students' reactions to these audience options show how student writers can develop a sensitivity to…

Proposes that writing pedagogies focused on models of audience analysis stultify invention and in doing so compromise the epistemic dimension of the writing they influence. Claims that classical audience analysis assumes a determinism that the separation of reader and writer denies. (HB)