Describes how writing oral history can help students to feel that they are participating in a lively intellectual and cultural process that travels beyond the limits of the classroom. Says students claim that their obligations to the assignment are surpassed by their feelings of gratification in having created living works with lasting vitality.…

Presents a framework for third-grade writers and their partners called L.A.M.P. (Listening, Asking questions, Making suggestions, and Positive comments). Notes that the author uses this collaborative planning exercise periodically, not for every writing piece. (RS)

Describes two word games useful in secondary writing classrooms: "illot-mollo," in which freewriters announce words they just wrote which the other members must use in their subsequent freewriting; and "secret" in which students each write a secret (usually made-up) and then put them into a hat--students then pull out a secret and write about it.…

Presents a transcript of a panel discussion at Colgate University in which people in various professions spoke about their writing experiences in school and on the job. Notes that these stories told by professionals about their writing experiences can be seen as part of an institutional history and part of a disciplinary history. (RS)

Discusses two intriguing ways of explaining error in student writing--the work of Michel Foucault and the work of Roland Barthes. Describes in-class activities and essay assignments that use these perspectives to help students to reach improved understanding of error in writing. (SR)

Describes a "build-the-box" lesson to develop a better understanding of writing useful and effective instructions. Considers how the lack of instruction with this assignment compels students to think creatively to complete the project. Concludes that many students realize the difficulty in creating easy-to-understand instructions. Enhances the…

Claims personal narrative essays, although controversial, touch a unique chord in listeners and in readers. Suggest incorporating critical thinking and modeling by the instructor into personal narrative essay assignments. (NH)

Describes a report-writing assignment that uses business letters to bridge the gap between letters and reports. Notes that in the letter writing unit, students learn to apply the principles of good business writing to various types of letters; and in the report-writing unit, students learn the reporting process (planning, data gathering, analysis,…

Argues that college writing instructors have an ethical obligation to help students to critically examine the theoretical and philosophical underpinnings of writing in school so that the students understand how they have come to view writing and revision as punishment. (TB)

Shares some responses from those involved in an ongoing oral history and writing project that connects members from a senior center writing group with children 9 to 12 years old from a self-contained special education program. Hopes that these comments and insights will serve as a parting testimony to the value of such intergenerational efforts.…

Describes an assignment designed to assist senior English students in rediscovering their genuine selves. Invites students to create an imaginative piece that involves experimentation and intellectual risk. Encourages students to mix genres, devise new structures, collaborate, and incorporate other art forms in which they have some expertise.…

This note offers suggestions for using microthemes in diverse classes across the curriculum. Microthemes are short essays (100 to 250 words) that can be used in any class to address any issue. They are so versatile that Ray Smith has called them the "Swiss Army knife of writing assignments" (1) because they have so many applications: they can be…

Although writing instructors have a clear picture of how well our students can write by the end of a composition course, very rarely do we learn how well the students carry over the skills and strategies we teach them to the essays they write for other courses. I collected essays from other courses to determine how effectively students transfer…

This article explores commonalties between literacy instruction and learning to understand the symbolic languages of the visual and performing arts. A detailed case study of an urban professional development program for secondary arts teachers looks at the learning initiated by writing assignments that prompted students to reflect on arts…

An instructor is interested in the ways that ethical inquiry can shed light on theoretical and practical concerns that are raised by composition's interest in postmodernism and cultural studies, specifically in whether difference can be negotiated while still allowing for rhetorical agency. Inquiry into ethics and composition can offer a new…