If we listen to them, the words of our students can provide a road map for instructional responses that meet their diverse literacy needs. In this article, Cara Gutzmer, a middle school literacy coach, and Phil Wilder, a teacher collaborator at the University of Illinois at Urbana-Champaign, discuss how a responsive teaching framework guided their…

Describes how writing with specifics can transform poetry, helping to create vivid pictures in the reader's mind. Offers three of the author's own poems that illustrate the judicious use of detail. (SR)

Discusses lighthearted writing, much of which has a serious intent as well as two highly desirable qualities: writer satisfaction and reader-appeal. Offers examples of all sorts of lighthearted writing including lighthearted writing from the classroom. (SR)

Discusses the author's goal of helping students see how mistakes in their writing distract readers and how errors have influenced the grade. Recommends the careful use of the "red pen" noting that it is easy to forget its power. Suggests that teachers use this power to help students grow as writers. (SG)

Maintains that the author's authentic voice as a writer is "constructed more than it is gushed." Describes how, when the author tinkers with words, when he shifts, cuts, changes, and arranges them to achieve certain effects, it isn't the writing only that he crafts: he is also crafting an identity. Notes how this applies to teaching…

The authors offer research studies and other documented evidence that teaching grammar without a meaningful context does not improve student writing, largely because that approach does not address the root causes of errors. Several resources that support this position and offer more productive strategies are summarized, including the authors'…

Talks about the "writing from the heart" practiced in one sixth-grade classroom by students and teacher, for many different purposes. Describes instructional approaches that encourage such writing. (SR)

Describes some of what educators have learned about the complex task they ask students to tackle when they put them in peer groups to talk with each other about their writing. Analyses the work of one peer revision group and illustrates the complicated work that students can engage in as they struggle to justify their writerly decisions to their…

Points out that there is an enormous amount of material from the world of art that can help people see and, therefore, help them write. Notes the connections between writing and visual art as expressed in the work of many writers, including the author. Offers suggestions on how to explore the connections between writing and art. (SR)

Describes how the author discovered practical, accessible ways of talking with her seventh and eighth graders about the considerations and decisions of fiction writers. Appends a fiction writing handbook. (SR)

Discusses students' experiences with learning more about the "craft of writing." Considers ways to teach students to choose their own topics; to research; to organize for writing; to welcome imagination, metaphor, and memorable language; how to draft; how to give and get helpful responses; how to revise their writing to create strong…

Discusses how computer technology has brought with it a rethinking about how writing happens. Notes that research indicates that computers have a positive impact on student writing. Lists 15 web sites that may help teachers and students with the task of writing. (SG)

Argues that writers view grammar as a method of image construction. Describes image painting techniques from four grammatical perspectives: images of style, form, content, and convention. Describes how to teach these to eighth graders, offering numerous examples of class writing activities that use images as a doorway into the writer's art and…

Describes a two-year grammar sequence that the author uses with the seventh- and eighth-grade reading and writing program, in an approach that combines grammar instruction with what students are reading and writing. Describes how systematic grammar and usage instruction is connected to what students are reading and writing. (SR)

"Voice" is one of the least concrete elements of good writing, and yet it is also one of the most important. Helping students find a balance between the "gush" of ideas and words and the "long-thinking" of reflection and craft, Tom Romano leads students to allow themselves creative freedom while developing the patience to hone that first rush into…