Teachers search for ways to make classroom writing relevant and "real world." This article makes a case for using radio as a framework for the teaching of writing. Using this framework enables students to write strong, specific, and effective pieces and draws the real world into the classroom with the use of smartphones and Web-based…

"Fresh, fearless, more or less brilliant stuff"--if you want to get hired. That sums up the importance of authentic assessment in writing and the unwitting harm caused by typically vapid writing prompts and rubrics, and rigid use of the so-called writing process. The point of writing is to have something to say and to make a difference in saying…

This issue's column focuses on two practices that everyone has learned and utilized but possibly have forgotten. First, Michael offers a look into classroom management and what he needed to learn to be a more effective teacher. Second, Terry asks questions to remind himself and other writing teachers of the importance of helping students…

Describes a prewriting activity in which students form questions about their classmates' research topics. Notes that this activity provides students with multiple questions concerning their topics, and conveys the message that they will be writing for a real audience of peers. (MM)

Honoring students' home dialect is a complex task when preparing them to take state writing tests that require the use of Standard English. Working with students who had failed the test and were in danger of not receiving a diploma, Michelle Crotteau created a supportive learning environment in which students could develop linguistic and…

Describes several assignments and activities that focus on writing for "real-world" purposes, including writing to pen pals, government agencies, and for children or the elderly. (MM)

Argues that female students, especially those in cultures expecting women to be humble and nonassertive, often need a special venue for developing their writing voices. Describes a teaching method for writing instructors that encourages females to develop their voices and audience awareness. (HB)

Discusses the most satisfying part of teaching writing--helping students discover what they have to say and showing them how to say it. Notes that the basic skills of writing (audience awareness, organizing thoughts, and revising) are bigger than the rules of grammar and spelling and do not change from grade to grade. (RS)

Discusses aspects of one teacher's responses to students' writing that have survived over the years. Argues that students (1) should write for a teenage audience; (2) deserve written and oral responses from their peers; and (3) benefit from successes shared with their parents. Suggests that responses to writing begin with content, which makes…

Describes a program called "Writing for the Public" that allows students to revise and rewrite documents such as memos, instructions, or brochures. Shows how one high school English teacher instituted the program in his senior class. Provides some student response to the program. (HB)

Describes a method utilizing student-teacher memos that helps students to be more aware of their purposes and audiences for their writing. Delineates the procedures by which one teacher instituted communication with students through the use of such memos, thereby improving student writing. (HB)

Defines technical writing, the importance of audience awareness, and the fog index. Analyzes examples of technical writing and tips on developing skills such as writing instructions and assembling a model. Offers assignments and projects as well as class activities. (PRA)

Relates a student's experience writing a college application essay. Argues that switching topics should be redefined as global revision, a "pregnant pause" providing evidence of recursivity, and that adolescent writers who talk about their emerging texts are more likely to reconceptualize their written documents. (SR)

Notes that when students write and exchange poetry and letters, they feel drawn by the responsiveness to their words of "real" audiences. Argues that students sharing letters and poetry give voice to ranges of experience, to name features of their worlds that might otherwise have remained unnamed. (RS)

Suggests a number of teaching strategies that can be used for the development of authentic voices (instead of institutional, depersonalized voices) in student writing. Focuses on the importance of students' choosing their own topic, developing audience awareness, and making connections between their own lives and literature. (TB)