This article begins by asking readers to make a modest supposition: HBCUs are, perhaps, one of the last frontiers for sustained feminist praxis-administratively and pedagogically. The authors write that they struggle with the situation, and find it both lamentable and paradoxical, since many HBCUs were originally founded and/or administered by…

As Composition Studies has grown as a discipline over the last quarter century, the field has wrestled with defining and naming disciplinary expertise and professional positions. At first glance, issues of naming may not appear worthy of debate, and so whether an individual writing center director identifies as a writing program administrator…

This paper is conceived as an extended reflection on what has passed for a materialist epistemology--which may be one way to understand cultural work--in English Studies. Rather than providing any final answers to the questions of what the praxis says about the theory, the paper first examines the origin of the humanistic literary text and then…

Questions whether literary study complements or enriches the teaching of writing. (HOD)

Argues that composition cannot be taught apart from reading, that reading means only the reading of great writing, and that the teaching of reading and writing is best handled by people who have studied literature and created some themselves. Offers suggestions for the improvement of the undergraduate English curriculum. (FL)

Suggests that the ideal relationship between the writing center and an English department's writing program is almost symbiotic, each benefiting the other and both forwarding writing as a powerful tool for writing. Describes the writing centers at Montana State University and University of Nevada, Reno. (RS)

Urges the Association of Departments of English (ADE) to issue position statements on promotion and tenure, on teaching composition, and on becoming more active politically. (AEA)

Describes "academentia," the delusion that disciplines are intellectually powerful as a result of their specialization. Prescribes "neighborliness"--intellectual and practical work done from the perspective of critical consciousness--as the antidote to academentia. Suggests that writing projects have great potential as…

Describes the distinction between the National Endowment for the Arts, which funds artists, and the National Endowment for the Humanities, which funds those who talk about art. Examines the similar distinction in alliances between writers and scholars in English departments, focusing on their effects on writing programs. (MM)

Considers the role of the visiting writer in encouraging and supplying useful writing advice to student writers. Proposes some principles for the art of writing that writers offer composition students, especially related to the art of writing over its craft. (HB)

Explores the mechanism of the endurance of the unequal division of the professional status and power within English studies--particularly the role of the writing program administrator (WPA) in sustaining composition's marginality. Suggests that the WPA position is the site at which radical, reformist theories can be redirected into pedagogic and…

Explores some historical reasons why, academic freedom and tenure notwithstanding, retaliation against Writing Program Administrators (WPA) remains rather invisible as well as rather commonplace. Suggests that there is a good deal of historical connection between many WPAs' and writing teachers' present job circumstances and the circumstances that…

English is the second-largest major at the University of Puget Sound (Tacoma, Washington). Students may choose one of three emphases within their major: literature, creative writing, or professional writing. Puget Sound's professional writing program has grown gradually and slowly over the last 11-year period to include an array of 10 professional…

Describes instructional and departmental forces creating the following problems for undergraduate creative writing teachers: (1) they hold an uneasy position in the English department hierarchy; (2) courses are radically different from creative writing courses in either high school or graduate school; and (3) instruction has lagged behind…

Contemplates how Northrop Frye, a serious man, displayed great confidence that there is a group of those who have seriously studied literature who know that this study is coherent and progressive and who have a sense of the unity of the subject. Suspects that many do not know or no longer know this sense unity of the subject and have to posit it…