AN EFFECTIVE AND PLEASANT THERAPEUTIC EFFECT CAN BE PRODUCED BY ENCOURAGING EMOTIONALLY-DISTURBED ADOLESCENTS TO LOOK AT, WORK WITH, AND WRITE UNRESTRICTEDLY ABOUT NATURAL BEAUTY. THEIR OCCASIONAL UNRESPONSIVENESS IS CHANGED TO WILLINGNESS AND THEIR CREATIVE EFFORTS ARE RE-DIRECTED FROM EXPRESSIONS OF FEAR AND DESPAIR AS THEY OBSERVE COLORFUL…

Designed for kindergarten through grade three, the material in this volume of the "Curriculum Guide for the Language Arts" is organized by grades with provision for use in a continuous or nongraded organization. An introductory section outlines the general language arts program, noting specifically the characteristics of the primary child, the…

Students who are taught to understand and apply Korzybski's uses of semantics to their writing will learn to write more concretely. As students locate words and descriptions vertically on Korzybski's scale of abstraction levels, they will become able to perceive how meanings change when descriptions become either more general or specific, to…

As an alternative to the conflict among college composition teachers who are either repressive and authoritarian or permissive and lenient, a middle course offers teachers the latitude of encouraging free writing for some students and directed writing for other students, both of which may be responses to students' needs to express themselves. This…

In a series of articles based upon doctoral studies, this issue examines composition instruction in the elementary schools. The first article provides a historical background for examining current practices in elementary composition programs, the second article discusses the relationship between form and content, and the last three articles look…

A method called "Objectives-Art," by which disadvantaged students in a community college can be taught to structure paragraphs, is described. Works of art are intended to be a stimulus to the student's sense of unity between form and content, and the objectives are aimed at transferring the student's perception of form and unity into a process…

The material in this book, contributed by teachers in the Los Angeles area, consists of instructional assignments and successful strategies for teaching creative writing at the secondary level. Sample lessons are grouped under broad categories (getting started, writing prose, writing verse, and miscellaneous instructional gambits) and contain…

Suggests ways of using the newspaper to improve students' reading and writing abilities and increase their knowledge of the world. (ARH)

The back-to-basics movement and arguments by its proponents are examined with emphasis on proficiency in writing skills. Composition course requirements are discussed along with the need of instructors to teach semantic and logical skills. (LBH)

Methods for blending the language of the street with the language of the library, the integration of the language of film, a visual and oral languae, with the written language of great literature and good composition. (Author)

This English Language Arts Achievement Test was designed to evaluate the writing skills of third grade students. It includes instructions in which students are asked to write their own stories after reading a "story starter." The test instructs students to use their imaginations to finish the story and encourages them to do a prewriting…

Teachers participating in the Teacher Center-United Kingdom Exchange Program at New Mexico State University were required to keep a journal throughout the entire exchange year. The objective of the exercise was to improve writing and reduce writing anxiety among the teachers, and to influence them to implement journal writing in their public…

Written syntactic complexity is considered in relation to the four modes of discourse (argumentation, exposition, narration, and description). In a study of 153 children at three ability ranges within each of three grade levels (three, four, and five), syntactic complexity was found to differ significantly across the modes. The range of syntactic…

Paragraph writing mediated by imagery is richer, more flexible, and more creative than that produced by the somewhat impoverished, predictable, one-process model usually taught in composition classes. Since the writing advice given students differs considerably from the practice of professional writers, students should be given exercises that not…

This experiment tested the hypothesis that stimulation in a given mode of discourse (e.g., the argumentative, or "A", mode of theme writing) will improve the quality of compositions written in that mode, but decrease the quality in another mode (e.g., the descriptive, or "D", mode). Ninety first-graders were required to write two themes in the "D"…