Describes a syllabus for teaching history which stresses a system of periodization to incorporate humanities and social science concepts with understanding of historical change. The syllabus was developed for use with international students at the United Nations International School in New York City. (DB)

This three- to four-week unit for use with secondary students in courses in politics or modern world history generates a basic understanding about the origins, development, and status of the revolution in Iran. (RM)

This article offers a teaching model for global history based on the evolution and use of technology. Discusses a method for dividing history based on major technological changes. Provides an in-depth outline of the historical periods. (GEA)

Discusses the current debate over history's proper role in the social studies curriculum, emphasizing the view that it must contribute significantly to social learning in order to warrant expansion. Stating that the debate is just beginning, the author suggests that students should become involved in the "rich intellectual ferment" of…

If interregional and global developments are what is most important in recent world history, how far back in time must we go to find a world that can be written about exclusively in terms of bounded cultures and civilizations? Why the period 1000-1500 is a good place to start is discussed. (RM)

Criticisms against the way history is being taught today are discussed, and some responses to the criticisms are made. There is a need for a universal view of history--for a history that transcends national and regional boundaries and comprehends the entire globe. (RM)

World history instruction needs a theoretical framework to help make the history of all mankind intelligible and therefore teachable. A possible source from which this framework might be drawn is the work of a French school of historical studies known as Annales. (RM)

Teachers of world history are placing less emphasis on Western culture and rote memorization in favor of more global, diverse, and creative content. This book is intended to serve as an example of some of the innovations that are occurring in today's classrooms and as encouragement for future exploration. The book presents new subject matter, new…

Discusses a study undertaken to examine the effects on student achievement and attitudes of an integrated approach to teaching world history (termed the aesthetic approach) by comparing it to a traditional approach (termed a political approach). Findings indicated that the aesthetic approach was a more effective means of presenting a broad range…

Asserts that the use of multimedia furthers historians' work as opposed to changing it. Explores three objectives that multimedia allows historians to achieve: (1) the issue of representation; (2) the concern with emphasizing historical thinking skills; and (3) the topic of how others appropriate history. (CMK)

Provides citations with abstracts from the ERIC database focusing on using film to teach history. Includes background information and teaching materials on topics such as using documentary films, the use of film and television to teach history, and teaching history using the film,"JFK," by Oliver Stone. (CMK)

Restates in moral terms the legacy of Columbus's voyages. Suggests that the conflict and conflict of humans, plants, organisms, institutions, and ideas raises many moral questions. Suggests that imagination is the key to moral understanding. Argues that past societies pass moral judgment on one another through the study of contemporary moral…

Discusses the development of a world history curriculum for the Philadelphia (Pennsylvania) School District. Describes a program rooted in chronology and geography with interpretive frameworks for comparative study of change in diverse civilizations. Lists reawakening teachers' interest, updating training, and extending resource availability as…

Discusses activities that allow students to explore epochs in time by studying real artifacts, museum replicas, student-created reproductions and dramatizations, and video and computer software. Presents two model lessons of how artifacts can be used to enliven a history lesson. (DB)

Argues that entertainment media, especially feature films, have a powerful impact in shaping knowledge and beliefs about the world. Presents four ways that teachers can use feature films to enhance the teaching of world history and to counteract misconceptions that students acquire through the mass media. (DB)