The purpose of this article is to discuss how images and historical reviews of substance use and abuse from different time periods can be used to provide a better understanding of the historical background of the discipline. Historical reviews of various substances, as well as approaches to addressing substance abuse at different time periods, and…

The National Endowment for the Humanities funded the Rembrandt Project for the purpose of developing an online teaching resource that can provide a means for accessing Rembrandt's art and his world. The Web site for the project includes numerous links that direct teachers to American museums that hold paintings, etchings, or drawings by Rembrandt…

In this article, the author takes a look back at several scholars of the 1960s (Vincent Lanier, June King McFee, and Corita Kent) and their contributions to the discussion of visual culture in art education. He asserts that, though these scholars were not successful in implementing changes within their own time, their ideas provide powerful…

Three approaches that teachers can use to incorporate related ideas into art history courses are discussed. They are parallelism, or the analogous developments in other spheres of study; the elucidation of the credo of a famous personage whose image has been perpetuated through art; and etymology. (RM)

Argues that studying professional art critics can provide material for studying art criticism in the classroom. Focuses on the published work of Lawrence Alloway. Describes how his work covered a wide range of artists and movements and how he was politically proactive in promoting underrepresented populations of artists. (KM)

Compares Oskar Kokoschka's teaching practices with American Progressive Education literature. Observes that the latter stresses the need for practicing artists to teach in the schools. Evaluates the strengths and weaknesses of the artist-in-the-classroom concept revealed in light of Kokoschka's practices. (KM)

Presents four classroom lessons designed for elementary and secondary students based on paintings in the Amon Carter Museum in Fort Worth, Texas. Provides an overall goal, specific objectives, background of the painting, and suggestions for discussion and activities for each painting. Includes full-page color prints of each painting. (CFR)

Many aspects of the current cultural situation bode well for undergraduate art education. Today's college students have had more experience of the visual arts, at least in their vernacular forms, than any generation in history. They have watched thousands of hours of television, watched hundreds of feature films, and often have mastered computer…

The four content areas of discipline based art education (aesthetics, art criticism, art history, and art production) should be addressed in every art education unit planned and taught to students. All four content areas are addressed in the process of formal art criticism therefore every unit/lesson that utilizes a formal art criticism also…

In post-medieval times, art became sacrosanct rather than special as it had been regarded in previous cultures. This notion still drives art education and prevents the inclusion of entire cultures in contemporary curricula in art education. The myths that any society lives with, whether religious, political, or economic, are embedded in that…

Offers an art lesson for grades K-3 based on an early 19th century sculpture of the head of a Benin Queen. Presents background on the relevance of Queen Mother's position in Benin culture. Discusses importance of regalia and scarification associated with Benin heads. Includes suggestions for classroom activities. (BR)

Maintains that one of the ongoing challenges of art education is to encourage the correct and effective use of terminology. Discusses expressionism, particularly in relation to landscape painting. Includes discussion of the background, techniques, and full-page color illustrations of four works by major expressionist painters. (CFR)

Explores the sources of art criticism and reviews some extant pedagogical models. Outlines the content skills to be developed and the role of art criticism in a discipline-based teacher training curriculum. Recommends that art criticism should incorporate pedagogy and other disciplines of art. (KM)

The collected papers from three conferences about art education are documented in three volumes. The first conference addressed art education, aesthetics, and art criticism. Eighteen scholars representing classroom teachers, museum educators, and university faculty were invited to prepare papers on the general topic of aesthetics and art criticism…

This guide is designed to help teachers develop sequential and creative art education programs in elementary and secondary classrooms. Specific goals focus on enabling students to perceive, describe, and respond to the aesthetic qualities of the natural and man-made environment; to analyze, judge and value works of art; to acquire a knowledge of…