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Marston, Kate – Qualitative Research Journal, 2022
Purpose: This paper critically examines the development and direction of the Fabricating Future Bodies (FFB) Workshop. Troubling notions of co-production as enacting equality or empowering participants, it draws on feminist posthuman and new materialist concepts to understand it as an eventful process that occurs in unpredictable and shifting…
Descriptors: Sexuality, Visual Arts, Creativity, Artists
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Arantes do Amaral, João Alberto; Brito, Suzana Costa – Anatolian Journal of Education, 2018
In this article, we discuss the lessons learned in a system thinking course developed in a multicampus, distance-learning environment. Forty-six undergraduate students were involved; the students were from four campuses of the Federal University of São Paulo, Brazil. We explain the course design, curriculum and online components. We analyze the…
Descriptors: Student Interests, Learner Engagement, Distance Education, Active Learning
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Wilson, Jenny – Australian Universities' Review, 2016
In "Arts Nation" 2015, the Australia Council documented the current landscape of artistic endeavour in Australia, acknowledging that there are still gaps that need to be filled to build a greater public understanding of the arts in Australia. The contribution of Australian universities to the arts is one such lacuna. This paper seeks to…
Descriptors: Foreign Countries, Art Materials, College Role, Theater Arts
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Fredriksen, Biljana C. – Education Inquiry, 2012
This article aims to illustrate how both physical and social factors influence possibilities for children's learning (meaning negotiation) in visual art contexts in early childhood education. The main discussion relates to teacher's responsibilities in providing physical and social contexts for such meaning negotiations. The processes I wish to…
Descriptors: Play, Art Education, Preschool Education, Preschool Children
Cunningham, Kathy – Arts & Activities, 2009
The textiles of Africa are rich with possibilities for art lessons. With their unique balance of color, pattern, symmetry and repetition, they lend themselves to exciting art lessons with cultural significance. Asante cloth--or Kente cloth, as it is commonly known--is a perfect example. These rich, colorful repeat patterns from Ghana are woven in…
Descriptors: Visual Arts, Foreign Countries, Art Activities, Art Materials
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Eckhoff, Angela; Spearman, Mindy – Art Education, 2009
Introducing reclaimed materials into the art classroom provides students with unique opportunities to connect ordinary, discarded objects with unique, personal artistic creations. In an effort to better understand this connection, this article explores existing pedagogical precedents that support the role of the inclusion of reclaimed materials in…
Descriptors: Visual Arts, Art Education, Foreign Countries, Reggio Emilia Approach
BCATA Journal for Art Teachers, 1991
Advocating that Canadian art programs should use and model environmentally safe practices, the articles in this journal focus on issues of safe practices in art education. Articles are: (1) "What is WHMIS?"; (2) "Safety Precautions for Specific Art Processes"; (3) "Toxic Substances"; (4) "Using Clay, Glazes, and…
Descriptors: Art Education, Art Materials, Ceramics, Foreign Countries
Manitoba Dept. of Education, Winnipeg. Curriculum Development Branch. – 1983
A model elementary art curriculum for use in Manitoba (Canada) schools is outlined. The guide's first section provides an overview of the program, discussing why art is taught in grades 1-6, program design, goals, objectives, implementation and evaluation, special education, child development in art and a scope and sequence. The second section…
Descriptors: Art Activities, Art Appreciation, Art Education, Art Materials