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Binod Prasad Pant; Bal Chandra Luitel; Birgitte Bjønness; Sigrid Gjøtterud – Discover Education, 2023
For several years, science and art have been viewed as separate entities in school education in Nepal. The dominant discourse on science was regulated by Western Modern Worldview (WMW), assuming that seeking universal truth should be the central aim of the exploration. In this article, science refers to the absolutist/rigid nature of different…
Descriptors: Foreign Countries, STEM Education, Visual Arts, Literature
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Etzkowitz, Henry; Kehl, Leila Maria; Schofield, Tatiana – Industry and Higher Education, 2022
The potential of the arts and sciences for economic and social development is under conceptualized. However, the recent development of STEM (science, technology, engineering, and mathematics), justifying increased support for training in the sciences, shows a parallel pathway forward for the arts. The arts are increasingly relevant to the economy,…
Descriptors: STEM Education, Theater Arts, Visual Arts, Music
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Sloan, Cathy – Research in Drama Education, 2021
Reflecting on a prototype event, "A Recovery Arts Café," this article examines how recovery communities can be staged through collaborative performance events that directly engage with what it means to be "in recovery" from addiction. I theorise recovery and performance practice as particular forms of affective ecology, or…
Descriptors: Addictive Behavior, Rehabilitation, Resilience (Psychology), Social Influences
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Thomson, Pat; Hall, Christine – British Journal of Sociology of Education, 2022
Ofsted, the inspection authority in England, has told schools to ensure that all students have access to cultural capital, taken as a canon of music, literature and art. In this paper, we trouble this guidance by analysing conversations with 1447 senior secondary students. The students reported that the arts offered considerable personal benefits,…
Descriptors: Cultural Capital, Secondary School Students, Foreign Countries, Student Attitudes
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Verducci, Susan – Educational Theory, 2019
Open-mindedness is typically considered an intellectual virtue that brings humans into (closer) contact with reality and its complexities. In this essay, Susan Verducci expands the ways we typically think of cultivating open-mindedness in classrooms to include the practice of engagement with the visual and performing arts. Working with the arts…
Descriptors: Perspective Taking, World Views, Ethics, Teaching Methods
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Thomson, Pat; Hall, Christine; Earl, Lexi; Geppert, Corinna – Critical Studies in Education, 2020
High school students are expected to make choices about which subjects they study. These choices are not completely open; however, they are steered by what is on offer, previous achievement and conversations with teachers, family and friends; choices are patterned by class, gender, able-ness and race. We offer the perspective of subject choice as…
Descriptors: Foreign Countries, High School Students, Course Selection (Students), Art Education
Wan, Yinmei; Ludwig, Meredith J.; Boyle, Andrea – American Institutes for Research, 2018
The Every Student Succeeds Act (ESSA) includes a wide variety of ways for educators to support student success--including programs and funding streams that can be used to support arts education. To access the funding, education agencies must show evidence for how their proposed program can support or improve student outcomes. It can be difficult…
Descriptors: Art Education, Educational Legislation, Federal Legislation, Evidence Based Practice
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Zachary, Susan F. – English in Texas, 2015
Incorporating the arts into the classroom through the study of poetry and writing can improve literacy with the connection to the lyrical movement of dance, music, and art. Through the arts, teachers can guide students in exploring figurative language, tone, rhythm, and imagery as it pertains to the arts and its relationship to the voice and…
Descriptors: Literacy, Poetry, Visual Arts, Theater Arts
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Paltridge, Brian; Starfield, Sue; Ravelli, Louise; Nicholson, Sarah – International Journal of Art & Design Education, 2011
Drawing from a larger study of doctorates in the visual and performing arts, we examine here the diversity of relations which can exist between the creative and written components of a doctoral thesis in these fields in terms of diversity of naming practices for these relations, institutional variation in guidelines and expectations, and…
Descriptors: Doctoral Dissertations, Visual Arts, Theater Arts, Writing (Composition)
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Hetland, Lois – Teaching Artist Journal, 2009
This article presents an analysis of Nilaja Sun's one-woman play, "No Child" . . ., that applies the Studio Habits of Mind framework to reveal essential features of great teaching artistry and great teaching. The play conveys much about twenty-first century schools and the policies that control them; about respect, equity, justice, and the lack of…
Descriptors: Drama, Visual Arts, Art Education, Theater Arts
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Phillips, Roger D.; Gorton, Rebecca L.; Pinciotti, Patricia; Sachdev, Anuradha – Early Childhood Education Journal, 2010
An approach to early childhood education that integrates visual and performing arts throughout the preschool curriculum--"Art as a Way of Learning"--was implemented in a program (Promoting and Supporting Early Literacy through the Arts) designed to improve the emergent literacy and school readiness of at-risk young children in community-based…
Descriptors: Preschool Curriculum, School Readiness, Early Childhood Education, At Risk Students
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Gale, Richard A.; Bond, Lloyd – Journal of General Education, 2007
Assessment of craft in the creative/fine/performing arts is not different in any fundamental way from assessment of other competencies. By investigating the nature of critique and proposing a structural approach to examination/evaluation, we address processes and goals of assessment, providing access points for this difficult aspect of general…
Descriptors: General Education, Art Education, Theater Arts, Creativity
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Soganci, Ismail Ozgur – Art Education, 2005
Images can be and have been used in various ways, and by their man-made nature they cannot be considered independent of their providers' intentions. Yet, identifying such intentions is complex, and requires a critical look supported by relevant information on what is being represented, how, and why. In this article, the author illustrates some of…
Descriptors: Foreign Countries, Criticism, Visual Arts, Art Education
Clark, Gilbert; Zimmerman, Enid – Phi Delta Kappan, 1998
All programs for the gifted and talented should incorporate visual and performing arts, so that students' natural interests and creative abilities are not stifled. Many gifted and talented high school students not classified as artistically talented can achieve in discipline-based curriculum areas stressing nondiscursive art-making activities.…
Descriptors: Academic Education, Academically Gifted, Creativity, Educational Benefits
Bolen, Charles W. – 1990
This report presents the findings of an out-of-state consultant who conducted a state-wide review of the arts programs of the State University System of Florida by visiting each of the nine campuses and conferring with local consultants. The bulk of the report is composed of observations and recommendations for individual universities of the…
Descriptors: Art Education, Art History, Dance, Higher Education
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