Media arts has been familiar to many through television, film, and digital graphics, and often appears as an extension of the four traditional arts disciplines: music, arts, theatre, and dance. As media arts continues to acquire its own unique identity, particularly through technological means, it has been included as a stand-alone discipline in…

Since the '60s New York style graffiti has gradually become an integral part of the urban visual landscape all over the world. The -so called- graffiti scene evolved into an alternative space where writers educate one another. Through their association with other writers, especially through their membership in informal organized groups known as…

The author discusses the role of the visual arts in helping people deal creatively with their struggles while enhancing their creative abilities. Lists of media, materials, techniques, events, names of artists, art careers, and modes of expression are included. (CL)

The push for academic electives has grown over the years for many reasons. The pressure for high test scores has forced schools to focus on literacy and core content areas. The competition for entrance to four-year universities has grown, too. However, in the race to improve academic offerings and raise test scores, some schools have neglected to…

Describes a method used to acquaint art students with their painting subjects. The method requires students to study the subject closely and to make thumbnail sketches of details before they start to paint. Concludes that artists must observe their subjects closely to make the finished work believable. (GEA)

Described is a demonstration to illustrate the storytelling qualities of "clayscapes" and to suggest just one of the innumerable sculptured environments that are possible with clay. Clayscapes are sculptures which are minilandscapes made of clay. (KC)

Considers the importance of teachers learning about an artistic discipline in much the same way that language arts teachers are encouraged to write. Discusses knowing what materials can do, making materials mean something, and children's artistic intentions. Visits two second-grade classrooms in which working with clay invites students to think…

Describes how a teacher integrates art and literature in teaching English and world literature, by using slide presentations of modern art to graphically demonstrate the characteristics of modernism--fragmentation, alienation, heightened subjectivity, narrative distancing, and discontinuity in time. Describes and relates specific works of Dali,…

Highlighting the fundamental concepts of discipline-based art education (DBAE), this essay supports a comprehensive elementary and secondary education visual arts teaching approach that features content and skill learning in art history, production, criticism, and aesthetics. Section 1, "The Arts and the Mission of Education," considers:…

A self-taught artist describes the creative process and a technique for developing one's intuitive drawing ability. The article identifies seven basic motifs derived from natural forms and illustrates how these motifs are used in the artist's work. (DB)

Feels education has neglected the visual and creative parts of the self accessible through art. Offers a rationale for having K-12 students draw for 30 minutes daily following structured visual exercises to strengthen skills in seeing, remembering, and connecting. Offers a critique of Mortimer Adler's Paideia Proposal. (DMM)

The role of arts education has been receiving increasing emphasis in early childhood education. This paper maintains that teaching itself may be considered an artistic, creative activity in the following ways: (1) teaching presents an artistic performance to the student; (2) the teacher has to make judgments during the course of instruction; (3)…

Seven presentations are featured from a 1980 conference on the role of art in the lives of people with handicaps. Three major themes were addressed in that conference: roles and responsibilities of art educators and art therapists, training and professional development, and programing. Each theme is addressed initially by summarized comments from…

Claims that contemporary artists in Western society are obsessed with their careers and fail to approach art as total human beings. Cites three instances in which the latter has happened. Recognizes the experiential nature of learning in studio art and argues that artists/teachers are obligated to ground students' art experiences in praxis. (KM)

Reviews Pearl Greenberg's book on developing art programs for older adults. Finds it useful as reference for adult educators and those specifically involved in establishing art classes for older adults but lacking in its chapters on suggested art projects. (AEM)