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Eckhoff, Angela – Young Children, 2010
Art-viewing experiences are an important part of the knowledge-building process and require careful planning and unique teaching strategies. One teaching strategy involves an activity most young children enjoy--playing games. In this article, the author explains ways to use games and conversations to introduce visual artworks to young children.…
Descriptors: Games, Young Children, Teaching Methods, Play
Johnson, Margaret H. – Young Children, 2008
Including talk about art--conversing with children about artwork, their own and others'--as a component of visual art activities extends children's experiences in and understanding of visual messages. Johnson discusses practices that help children develop visual and verbal expression through active experiences with the visual arts. She offers 25…
Descriptors: Visual Arts, Teaching Methods, Visual Literacy, Emergent Literacy
Singer, Carla Michalove – 1994
Line, shape, color and texture have always been the universal components of visual expression. Together these elements form a visual language. This packet is designed to be used as part of the Thematic Tour "First Look" offered by the Georgia Department of Education. The material explores some of the ways people use pictorial language;…
Descriptors: Art, Art Appreciation, Art Criticism, Art Education
Duff, Jon M. – 1995
This paper discusses current changes in the teaching and learning of artistic rendering in light of technological advances that may cause teachers to rethink both what is taught, and the manner in which the results of the artistic process are valued and evaluated. The two methods of generating a photorealistic computer image are described,…
Descriptors: Art Education, Art Expression, Computer Graphics, Graphic Arts
Hollingsworth, Patricia; Hollingsworth, Stephen F. – 1989
The first step in learning to appreciate art is learning to classify a work according to its primary purpose. The artist creates art for one of three reasons: to recreate the physical world (Imitationalism); to express an idea or feeling (Emotionalism); or to create an interesting design (Formalism). A classified work may then be critiqued by: (1)…
Descriptors: Art, Art Appreciation, Art Criticism, Art Education
Mittler, Gene A. – 1997
Art reflects the ideas, experiences, spirit, and hopes of those who create it. It is through art works that students can see a visual record of how men and women lived and thought throughout history and across cultures. This instructional resource includes 52 transparencies, accompanying teaching strategies, and student worksheets which are…
Descriptors: Art, Art Criticism, Art Education, Art History
Hunt, Jill W. – 1987
This research indicates that art education can help develop visual perceptual abilities which can be applied to all areas of learning. Skills in visual perception developed through the study of art will help integrate subject areas. The study organized research and information that emphasized the redefinition of art in the elementary school…
Descriptors: Annotated Bibliographies, Art Education, Curriculum Development, Elementary Education
Scarr, Margaret, Ed.; Varro, Tim, Ed. – BCATA Journal for Art Teachers, 1993
This theme issue presents art advocacy as a necessary means of bringing art and art education to an elevated status in the elementary secondary curriculum and educational system. Articles include: (1) "Editor's View" (Margaret Scarr); (2) "Art Education: Why Is It Important" (Arts Education Partnership Working Group); (3)…
Descriptors: Advocacy, Art Education, Change Strategies, Cultural Differences

Adams, Dennis – School Arts, 1989
Suggests that teaching students the processes of video programing helps them become more intelligent video consumers and allows them to use the technology as an extension of themselves by creating art through video. Discusses the use of lighting, sound, and editing in the creative process. (KO)
Descriptors: Aesthetic Education, Art Education, Elementary Secondary Education, Film Production
Posselt, Nancy M. – 1986
The puzzling quality of modern art, in both its complexity and its simplicity, symbolizes a barrier between the student and the elite's privilege of power. Too frequently, students have been taught that art is a secret, a code to which only teachers have the key, and that there is only one correct interpretation of a work, which must be imparted…
Descriptors: Aesthetic Values, Art Appreciation, Art Education, Creative Art
Cohen, Elaine Pear; Gainer, Ruth Straus – 1995
This handbook, written for teachers, art teachers, and parents of young children, describes actual elementary school classroom experiences. Each anecdote is juxtaposed with a simple explanation of its philosophical and psychological rationale. Symbolic representation of the environment through art making is seen as a natural language, a…
Descriptors: Art Education, Art Expression, Child Development, Childrens Art

Andris, James – School Arts, 1989
Notes that the developments in microcomputers such as extended memory, sound and graphics capabilities, development of digitizing, and the introduction of paint programs have enhanced the usefulness of microcomputer technology in artwork production. Discusses digitizing and the features of paint programs, and the implications for art production…
Descriptors: Aesthetic Education, Art Education, Computer Assisted Instruction, Computer Software
Boggs, Joseph M. – 1996
This guide aims to help students sharpen powers of observation, develop the skills and habits of perceptive watching, and discover complex aspects of film art. Organized in 16 chapters, the text, which focuses on narrative film, discusses film analysis in chapter 1 and establishes a foundation for understanding theme and story in chapters 2 and 3.…
Descriptors: Critical Viewing, Film Criticism, Film Study, Higher Education
Sitz, Robert C. – 1995
This document presents a definition and brief background of graphic design and visual education. It outlines a journalism and mass media course lecture which introduces students to the commercial scope of visual communications and the potentials of design. The script along with appropriate slide titles and descriptions, are provided to recreate…
Descriptors: Architecture, Building Design, Commercial Art, Course Descriptions
Getty Center for Education in the Arts, Los Angeles, CA. – 1987
The rationale for this seminar was to strengthen the discipline-based art education (DBAE) stance and extend its horizons. The format of the proceedings featured a speaker followed by a respondent and group discussions on each of the four issues addressed by the seminar. Dennie Wolf explained how current research in child development and cognitive…
Descriptors: Aesthetic Education, Art Appreciation, Art Education, Art History
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