Although the technological methods in which dance artists create, develop, document and present their work have grown significantly over the past two decades, technology education in undergraduate dance curricula in the US often remains peripheral. Some dance programs in higher education, especially those with graduate programs, now include a…

In this article, the author introduces the Beijing Contemporary Music Institute where more than 3,000 undergraduates study music and dance. In a country where most music departments and conservatories are dedicated to teaching classical Chinese and Western music, the institute is breaking new ground. The college, which opened in 1993 with just 100…

This paper reports on the complex construct of student teacher confidence and the usefulness of practicum and the ITE course in preparing students to teach dance in their pre-probationary years. A longitudinal study tracked 85 students (f = 46, m = 39) for four years during their undergraduate degree programme in physical education (PE). Students…

The purpose of this study was to discuss the dance technique class experiences of students in a university dance program. Working within a post-positivist methodological framework, I interviewed five university dancers. Using the lenses of phenomenology and hermeneutics, I compared and contrasted the women's stories with each other's and my own.…

Survey examined dance education for undergraduate physical education majors in programs nationwide, investigating dance forms taught, hours required, professional preparation, and instructional methods. Results indicated almost one-third did not offer dance education. Those which required it had a narrow range of dance forms and mandated very few…

This paper describes and discusses the interactive movement forum and the process of working on it as data itself. The paper revisits the theme of the creative process from a postmodern perspective, particularly considering creativity in relationship to women's bodies and detailing the problematic aspects of working with students in an artistic…