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Jennings, Shirley; Chambers, Dewey – Elem Engl, 1969
Descriptors: Autobiographies, Literary Criticism, Literature, Novels

Sloan, Gary – College English, 1978
The function of fiction is to entertain, not to analyze philosophical, political, or psychological concepts and attitudes. (DD)
Descriptors: Fiction, Higher Education, Literary Criticism, Twentieth Century Literature

Gillikin, Dure Jo – Community Review, 1984
Examines the images of women in the poetry of Randall Jarrell, focusing on poems portraying women with little chance of true fulfillment in traditional roles as wives and mothers, and who lose what status they have through the inevitable loss of sexual attractiveness. (DMM)
Descriptors: Females, Literary Criticism, Poetry, Poets
Healey, Clifford – Use of English, 1987
Discusses twentieth century literature and attempts to define modernism, concentrating on modernist literature's linguistic radicalism. (SRT)
Descriptors: Language Usage, Literary Criticism, Modernism, Twentieth Century Literature

Markham, E. A. – Visible Language, 1989
Argues that the creative procedures of writing, performing, and interpreting poetry are subtly interrelated. Illustrates this argument with examples from the author's own poetry. (MM)
Descriptors: Literary Criticism, Oral Interpretation, Poetry, Twentieth Century Literature

Austin, Norman – Journal of General Education, 1988
Questions the integrity of Meursault in Albert Camus's "The Stranger." Discusses Meursault's dissociation from his feelings, relationship with his mother, reactions or lack of response to events in his life, trial, and encounter with the priest in prison. Explores the concepts of myth and archetype in terms of the novel and its ideology.…
Descriptors: Literary Criticism, Mythology, Reader Response, Twentieth Century Literature

Bradford, Richard – Visible Language, 1988
Examines how literary criticism exploits and marginalizes the poem as printed artifact. Argues that the author-centered, phonocentric premise of close reading neutralizes spatial dynamics and reduces material identity to the status of a transparent medium. Suggests that appreciation of silent visual form is a convention of post modernist writing.…
Descriptors: Content Analysis, Literary Criticism, Literary Devices, Literary Styles

Spottswood, Sara – 1974
Four twentieth century playwrights--Pirandello, Giraudoux, O'Neill, and Albee--differed in their solutions to the human dilemma and in their philosophic apprehensions of human dilemma, but all four showed interest in the basic concerns of all humanity: body and soul, appearance and reality, the real and the ideal. Albee, the only one of the four…
Descriptors: Authors, Drama, Fantasy, Literary Criticism

Stitzel, Judith – College English, 1979
Reading the works of Doris Lessing can provide readers an opportunity to think about the thinking process. (DD)
Descriptors: Cognitive Processes, Higher Education, Literary Criticism, Twentieth Century Literature
Keogh, J. G.; Kislaitis, Edward – Media and Methods--Exploration in Education, 1971
Descriptors: Literary Criticism, Novels, Science Fiction, Surrealism

Galenbeck, Susan – College English, 1979
Suggests, through a comparison of Bleich's work with that of the Geneva School critics, that the two criticisms have a common base and interest from which they encounter similar difficulties, and that their resolutions illuminate a solution to the totalizing effects of current criticism. (DD)
Descriptors: English Instruction, Higher Education, Literary Criticism, Twentieth Century Literature

Berry, Eleanor – Visible Language, 1989
Examines the role of visual form in the free verse of Robert Creeley, Charles Olson, William Carlos Williams, and Louis Zukofsky. Argues that this functional approach, entailing careful attention to how visual form affects the experience of printed poems, can contribute toward developing the "theory of graphic prosody" called for by John…
Descriptors: Literary Criticism, Poetry, Reader Text Relationship, Twentieth Century Literature

Wilentz, Gay – College English, 1990
Examines Ernest Hemingway's indictment of Jewish culture through Robert Cohn, a character in "The Sun Also Rises." Argues that Hemingway's portrayal of Cohn reveals the apprehensions that mainstream Americans had about an alien immigrant population. Concludes that Hemingway reacted to what he viewed as a breakdown of values and a threat…
Descriptors: Anti Semitism, Characterization, Jews, Literary Criticism
Library of Congress, Washington, DC. – 1985
Proceedings of a conference of international Orwell experts gathered at the Library of Congress are presented in this collection. The collection is divided into four sections, corresponding with the four conference sessions: "What Orwell Really Wrote"; "Orwell: The Man"; "'Nineteen Eighty-Four': The Book"; and…
Descriptors: Authors, Futures (of Society), Literary Criticism, Novels
Durzak, Manfred – Ger Quart, 1969
Descriptors: Expressionism, Formal Criticism, German Literature, Naturalism