Many art educators believe that creativity is fundamental to artistic practice and, therefore, the art classroom is one of the best places for its cultivation. Indeed, there is a renewed and growing interest in creativity in art education today. Learning that takes place in art practice also is receiving significant attention. The concurrent…

This paper attempts to bring into a clearer perspective the concept of assessment of learning in art by defining a theory of accountability that is compatible with public education, formulating the presuppositions that underlie a theory of art and of teaching, and examining the concepts of a behavioral methodology for assessment. (Author/RK)

The view of aesthetic responding presented herein has grown out of a theory of contextual aesthetics as explicated by John Dewey and Stephen Pepper and a phenomenological inquiry into art by John Anderson. The method for entry into the responsive domain has evolved from a direction elaborated by Kenneth Beittel. (Author)

In this article, the author presents a model for an undergraduate course in Art Theory and Criticism that includes a practical component in which students demonstrate their understanding of various theories of art by creating interactive installations that provide opportunity for discourse. Students then invited friends to the exhibition to…

Describes ways that aesthetic theories can be integrated into children's art education. The author illustrates elements of E.H. Gombrich's theory of aesthetic perception using as examples art activities designed to increase student awareness of their "mental sets" and their understanding of how mental sets influence visual perception. (AM)

Presents background on the aesthetic experience which can be developed into curriculum content for teaching aesthetic literacy at the elementary and secondary grade levels. (Author/SJL)

The author describes the history, theories, and methods of the German institution called the Bauhaus, which he considers to be the basic influence on American studio art education in the last 50 years. (Author/SJL)

A eulogy to art educator and researcher Henry Schaefer-Simmern, explaining his theory of gestalt visual conceiving and artistic cognition. (SJL)

Section One of this article reviews extant theories of children's art. Section Two outlines evaluative criteria based on developmental approaches: degree of representational detail, expressiveness, and representational accuracy. Section Three explores the theoretical support for alternative standards for evaluating children's drawings. (SJL)

Tracing the changing concept of child art from the theories of Rousseau to the present, the author expounds the view that the interpretation of child art and the content of art education are functions of the social issues surrounding adult art in a given culture. (Author/SJL)

After reviewing the socialization models of Berger and Luckmann, Speier, and Piaget, the author relates the drawing process to these theories as a form of social interaction, citing changes in drawing style and subject matter with gains in social maturity. She concludes with implications for art educators. (SJL)

It is important for art teachers to understand how children develop artistically. This kind of knowledge is essential for choosing age-appropriate teaching strategies and content for the units and lessons that the art teacher develops. Beginning art teachers study developmental theory in educational psychology classes, but it seems that this is…