Summarizes a comprehensive study isolating long- and short-term recollections of young audiences in regard to characters, themes, scenography, objects, and sound effects of 26 theater productions over a 17-year period. Finds that, in general, young audiences recall more strongly those theatrical elements further removed from reality. (SR)

Discusses the research and planning process involved in developing a college performing-arts center. Explores the questions to be answered in conducting a needs analysis, defines the four types of performance spaces to consider, and discusses the option of designating a facility as an arts center. (GR)

This book helps theater teaching artists develop connections between their pedagogical and artistic selves. The book presents a framework for thinking about the work of teaching artists in general and theater teaching artists in particular. Through descriptive examinations of practice, the book also provides theater teaching artists and those who…

The happy ending is that The Theatre Company Blah Blah Blah has arrived at a clear statement of aims and objectives, and the long story is the 20 years of theatre making within the field of theatre in education, involving moments of clarity followed by periods of complete confusion as to why we were doing what we were doing. The question which…

Repetition in vocal characterizations and deviant listening perceptions are two major weaknesses of American acting. That is, voices and diction usually sound the same in everything the actors do, but no one perceives it. One reason listening is so deficient is because of the uninformed or incorrect concepts of those who practice or teach acting.…

This publication provides suggestions for school and professional level dance program production. The first chapter contains a brief history of twentieth century costumes and settings for dance. The second chapter discusses program planning, auditions, and rehearsals. Costume design and construction are covered in the third and fourth chapters. In…

Organized along broadly historical lines, this comprehensive collection of outstanding plays includes 41 works from the classical Greek period to the contemporary. As an introduction to the theater, the collection is unmatched for its theatrical variety and cultural diversity. It provides: (1) a general introduction on reading and witnessing a…

For four years Colorado Caravan has brought plays and workshops to an average of 60,000 people a year in all parts of the state, focusing on performing in schools but also reaching out to mental institutions, community centers, prisons, hospitals, and homes for the elderly. This document contains four training manuals which provide practical…

Discusses a class activity designed to demythologize Shakespeare, to show that he aimed his craft at drawing a crowd to the theater. Discusses an eight-step process by which students draw the Globe Theater. Addresses how design elements reflect Shakespeare's time. (RS)

Contrary to the popular theory that the proscenium type of playhouse was imported from France by the Court of Charles II in 1660, the Restoration playhouse in fact developed from Elizabethan theatres and court masques. These Elizabethan theatres were the private theatres, and were generally small, rectangular, roofed structures where aristocratic…

Compares the state of Asian American theater in New York to that of the West Coast. Asserts that while talent and dedication are not lacking in New York, Asian American drama lacks the originality, organization and purposeful focus it has in Los Angeles, San Francisco and Seattle. (GC)

The Dance Theatre of Harlem, which includes both a school and a publicly performing dance company, is described from its inception by its artistic director, Arthur Mitchell, to its current activities. Budgets, student characteristics, and philosophy are discussed. (LBH)

Describes technical specifications required in designing theatre spaces for high intelligibility of speech. (CH)