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Aline Verbeke; Julie Rodeyns; Free De Backer – Research in Drama Education, 2024
The presence of non-disabled artists challenges the possibility of disability aesthetics in arts and disability projects. This study therefore examines the meaning of disability for the aesthetics of their collaborations and artistic practice through in-depth interviews with twelve Belgian non-disabled performing artists. The findings show that…
Descriptors: Disabilities, Theater Arts, Artists, Attitudes toward Disabilities
Kelman, Dave; Rafe, Jane – Research in Drama Education, 2013
An artists' residency in a primary school in regional Victoria Australia staged a production of Shakespeare's "King Lear" in a local theatre. A qualitative, reflective practitioner research study into this project collected and analysed data from participating children and their community audience that gave some insight into their…
Descriptors: Drama, Dramatics, Theaters, Children
Winn, Ryan – Tribal College Journal of American Indian Higher Education, 2012
When the lights come up on College of Menominee Nation's theater productions they illuminate the stories that students want to tell. These stories have traveled from the campfires, to classrooms, and then to the stage. They are original in execution but build on a long tradition of Indigenous storytelling. The stories are specific to the students,…
Descriptors: Drama, Audiences, Playwriting, Story Telling
Winn, Maisha T. – Race, Ethnicity and Education, 2010
This study examines the ways in which playwriting and performance provide tools for incarcerated and formerly incarcerated girls to prepare for their lives beyond detention centers and probation. In a three-year multi-sited ethnography journeying through regional youth detention centers (RYDCs), a multi-service center serving formerly incarcerated…
Descriptors: Playwriting, Females, Correctional Institutions, Ethnography
Winn, Maisha T.; Jackson, Chelsea A. – International Journal of Qualitative Studies in Education (QSE), 2011
In the twenty-first century the United States incarcerates more of its citizens than any other country. While the numbers of incarcerated males far outnumber incarcerated women, there are still great concerns about the growing female prison population. This fixation with incarceration and building prisons has trickled down to America's children as…
Descriptors: Playwriting, Females, Correctional Institutions, Ethnography
Blankenship, Mark – Diverse: Issues in Higher Education, 2007
Undergraduate theater students rarely get the chance to work on a major world premiere, but this year hundreds of them will. Currently, more than 70 colleges and universities are participating in "365 Days/365 Plays," an ambitious project from Pulitzer Prize-winning playwright Suzan-Lori Parks. Every week, as they mount their portion of this epic…
Descriptors: Foreign Countries, Theaters, Playwriting, Scripts
Robertson, Roderick – Educ Theatre J, 1969
Descriptors: Acting, College Environment, Drama, History
Kirby, Michael, Ed. – The Drama Review, 1980
The diversity of important work being done by women in many aspects of theatrical performance in the United States is illustrated in this journal issue. The nine articles provide discussions of the following: (1) women's careers, images, and movements in the American theatre; (2) the evolution of La Mama, an off-off-Broadway theatre group begun in…
Descriptors: Drama, Dramatics, Employed Women, Females
Klaus, Carl H.; And Others – 1995
Organized along broadly historical lines, this comprehensive collection of outstanding plays includes 41 works from the classical Greek period to the contemporary. As an introduction to the theater, the collection is unmatched for its theatrical variety and cultural diversity. It provides: (1) a general introduction on reading and witnessing a…
Descriptors: Audiences, Higher Education, Literary Criticism, Playwriting
Oyama, David – Bridge, An Asian American Perspective, 1977
Compares the state of Asian American theater in New York to that of the West Coast. Asserts that while talent and dedication are not lacking in New York, Asian American drama lacks the originality, organization and purposeful focus it has in Los Angeles, San Francisco and Seattle. (GC)
Descriptors: Asian Americans, Drama, Ethnic Groups, Ethnicity

Salazar, Laura Gardner – Stage of the Art, 1998
Describes a theater for children and youth on the island of Aruba and the celebration of the project in a youth theater festival. Outlines the goals of the theater project. Discusses the development of the festival plays, the themes expressed in terms of metaphor, and the communication through objects used in the plays. (CR)
Descriptors: Dramatic Play, Elementary Education, Foreign Countries, Playwriting
Patterson, Lindsay – Freedomways, 1974
Argues that if black theater is to continue to mature or be infused with new ideas, new forms and new points of view, it must find a way to sustain neighborhood theaters, taking as a key example Woodie King's New Federal Theater, which is located on the lower East Side of New York City. (JM)
Descriptors: Black Attitudes, Black Community, Black Culture, Black Influences
Selden, Samuel – 1969
Clarifying for both the playgoer and the playmaker the concept of theater as an institution for game-playing, this book analyzes the identifiable urges common to all theatergoers and deals with their immediate emotional experiences. Directing its discussion primarily to playwrights and directors and only secondarily to actors and scenic artists,…
Descriptors: Acting, Audience Participation, Audiences, Communication (Thought Transfer)
Smith, Warren D. – 1975
The specific nature of the playhouse conventions which Shakespeare adopted in adjusting his craft to the physical aspects of the theater is explored in this handbook. The book is intended to be used as a supplementary manual in the study of Shakespeare's plays as great literary drama. Topics discussed are entrance announcements, stage business…
Descriptors: Drama, Literature Appreciation, Playwriting, Production Techniques

Couch, Stephen R. – Society, 1976
Argues that in Poland, the Soviet Union, and in much of eastern Europe, creators can utilize strategies and take advantage of various policies that make theatre a relatively free medium for political expression. And the public, starved for such expression, naturally turns to the theatre, frequently making it an important political institution.…
Descriptors: Audiences, Drama Workshops, Fine Arts, Playwriting
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