This chapter presents drama-based pedagogy as an instructional strategy to increase comprehension of a novel or informational text in a content area, to encourage collaborative discussions about a text, and to help students apply knowledge acquired from a text to one's own life and world. This essay proceeds with a brief discussion of relevant…

Research suggests that incorporating diverse active learning approaches, including creative and entertaining activities, into a class helps sustain students' attention and improve their ability to engage with the complex problems of the modern world. This study investigates how two different artistic classroom activities, one based in performing…

This article explores the way gender resonates in Shakespeare's "Julius Caesar" through an active study of live performance. Combining pedagogy with performance as an interpretive methodology, this research focuses upon using my unique classroom situation, teaching ultra-Orthodox Jewish adolescent females, as a platform for analysis.…

The educational needs of young adolescents require that curricula include a more expanded set of multiple integrative approaches, including new literacies, and that it be "challenging, exploratory, integrative, and relevant" (National Middle School Association, 2010). Although educators are now focusing on the addition of digital formats…

Mobile learning (m-learning) challenges the traditional definition of teaching and learning. M-learning concept is gaining popularity because it enables learning across multiple contexts and disciplines by using portable mobile devices. In recent years, it has attracted increasing attention at the tertiary level as some institutions adopt Bring…

Learning with informational texts doesn't need to be restricted to the recall of information and facts; instead, challenging students to interpret and present their findings in the form of readers theatre performances requires the application of synthesis and analysis skills. This article frames informational texts and readers theatre as…

A visual and theatrical exercise anchored in the Grades 11 and 12 Ontario Curriculum for Media Arts and Interdisciplinary Studies was enacted and recorded as individual experiences of each participant. The event was re-mastered in a graphic representation that depicts the forces, pushes and pulls of curriculum and students' needs which educators…

In this article, the author discusses how students create their arts projects by responding to Samuel Taylor Coleridge's "Rime of the Ancient Mariner." In creating their arts projects, students incorporate film, painting, performance, and other arts in their imaginative and innovative responses to Coleridge's classic work. The author discusses…

Discusses a class activity designed to demythologize Shakespeare, to show that he aimed his craft at drawing a crowd to the theater. Discusses an eight-step process by which students draw the Globe Theater. Addresses how design elements reflect Shakespeare's time. (RS)

Drawing its materials from any genre, a Readers Theater differs from the usual theatrical presentation in that its action takes place in the reader's mind and is then projected to the audience. The one requirement for "production" is the reader or a group of readers--a stage is unnecessary. On a simple level, it emphasizes placement of readers,…

Provides six classroom exercises to stimulate student awareness of the principles of Readers Theater. Emphasizes the use of scripts and space, flexibility of voice and body, staging, pantomime, and characterization. (PD)

This document presents a rationale for using reader's theatre in the classroom. It briefly discusses some of the conventions that distinguish reader's theatre from traditional theatrical productions, including direction of voice and action to the audience, and the use of scripts. The major portion of the paper offers seven exercises on the…

High school teacher John Golden provides a variety of literature, film scenes, and classroom activities to introduce literary, cinematic, and theatrical elements. He shows students how to move beyond basic comparisons as students learn to analyze the techniques and changes film directors choose when translating literature to the screen. (Contains…

Part of the New York City Board of Education's Early Stages program, and intended for elementary and secondary school teachers who wish to include a unit on theater in their classes, this guide offers suggestions for lessons and activities to accompany viewing a performance of "Wind in the Willows" at the Nederlander Theater. Part one of…

Examines what complexity theories might offer to drama and theatre education, as an alternative method of "mapping" and describing complex aesthetic experiences. Attempts to weave the complex "microworlds" of drama into the typical linear "scope and sequence" and "clock time" structures of the classroom.…