Contradictions in the literature abound concerning Franz Cizek's role in fostering creative art. Researchers should turn to student recollections to determine what Franz Cizek's contribution to art education really was. A former Cizek student who today is prominent in design work is interviewed. (RM)

Part of a series for early years teachers in Scotland, this guide focuses on ways to provide creative opportunities that support and enhance child development. The guide discusses how to respect children's creativity while observing and developing their skills and suggests practical and creative alternatives to the mass production of identical…

Ideas are presented for the creation of various puppets which can be used to teach different topics in the elementary school classroom. A song and ideas for stages for puppet shows and a "puppet corner" are also included. (CJ)

This fifth article in a series on children's art discusses art expression and art teaching in the unpredictable and chaotic years of early adolescence. (SJL)

Outlines three methods of introducing original paintings to young children: narratives, finding a consensus, and building on a shared experience. Analyzes the childrens' verbal and artistic responses. (KM)

Describes how third grade students learned about fresco paintings in Pompeii and made their own frescoes by pouring plaster into styrofoam trays and painting the surface. Students discovered they could control the paint better because of the porous surface of the plaster. (KM)

Giving children the opportunity to be creative requires allowing children to find and solve problems and communicate ideas in novel and appropriate ways. This paper presents 12 basic principles for teachers to follow when presenting art activities with children. These principles include: the process of creating a picture or project is more…

Imagination is central to our ability to understand reality. Parents and teachers should foster creative processes which facilitate the development of imagination in children. Expensive equipment or artistic expertise is not necessary to help children develop their imaginations. Instead, it is more important for teachers to allow children the time…

As the field of gifted education has increasingly embraced broader definitions of giftedness, teachers and specialists in the education of the gifted and talented need additional ways to assess the talent development needs of a broader array of students. Since learning styles comprise an important component of any comprehensive talent development…

Introduces Learning Through Art: The Guggenheim Museum Children's Program which is a creative approach to improve the reading and writing achievement of students scoring below the national average. Artists and selected teachers in participating New York City schools conduct workshops in which children are encouraged to express their feelings about…

Asserts that the practice of drawing in sketchbooks contributes something valuable and unique to young children and to those who teach them. Maintains that voluntary drawings offer children a form of engagement in art-making that is substantially different from what they experience in lessons initiated by a teacher. (CFR)

Discusses attempts to correct perceptions of scientists and science among fourth-grade students. Efforts to advance the view that girls and people from various ethnic backgrounds could become scientists met with some success. After they were presented with information on a range of scientists, students drew pictures of scientists that were more…

This teaching guide suggests practical ideas for encouraging artistic and musical talent in preschool children. It is part of a series of similar guides developed by the RAPYHT Project (Retrieval and Acceleration of Promising Young Handicapped and Talented) for educating young gifted/talented handicapped children and gifted children with no…

Compares and contrasts discipline-based art education with Viktor Lowenfeld's creative self-expression approach, using growth, medical, and molding metaphors. Maintains that these two approaches are similar because the views of the child, the teacher's role, and the relationship between them has not changed. (KM)

Discusses methods for teaching elementary art students the principle of a focal point in the design of art works. Suggests beginning with well-known paintings as examples of utilizing a focal point, and then encouraging students to create their own designs. Displays examples of student art employing a center of interest. (DB)