Maintains that, by the time students reach sixth grade, they are tired of painting flowers. By viewing them through the eyes of the artist, Georgia OKeefe, students interests are revived. Students analyzed her methods and then drew and painted their own large scale paintings. (KM)

Reviews Natalie Robinson Cole's contribution to the field of art education by contrasting her philosophies with those of other art educators. Compares her teaching style with Viennese art educator, Franz Cizek. Concludes that Cole's life and work can be examined within as many frames for understanding as can be devised. (KM)

This article outlines the steps in an art activity on the elements of landscapes and touches on the topic of perspective. In the activity students create three-dimensional secret gardens of their own out of construction paper. The activity is based on Claude Monet's painting and his garden in Giverny (Normandy, France). (SM)

Room 13 is a Scottish primary school art group that is largely pupil managed, where learners have a designated "drop-in" space (Room 13) with artists-in-residence and make art that is engaged with contemporary practices. Using this example, I argue that this is an artist-teacher and artist-learner configuration that represents emerging…

Describes ten practical ideas for classroom teaching at the elementary level, including "roulette" writing, story map raps, and theme cubes. (MM)

Lowenfeld was incorrect in equating the work of Cole with that of Franz Cizek, the Viennese art educator. Despite similarities in rhetoric, their teaching approaches and careers in art education were very different. Cole's emphasis on freeing the individual, her California exuberance, and holistic approach are more reminiscent of Isadora Duncan.…

Describes a schoolwide parade that was the culminating event of a three-week unit of study into the world of masks by elementary students. Unit emphasized the use of exaggeration, repetition, and symmetry in maskmaking. Provides examples of student work. (DB)

Examines studies, especially those of Viktor Lowenfeld, which suggest that coloring books are harmful to the creative expression of children. Proposes an alternative hypothesis that views coloring books as useful teaching tools to help children understand and appreciate art. Calls for further research into the issue. (KM)

Gives an art activity for second-graders where they use two art techniques, tissue gluing and tempera painting, to create brightly colored pictures of landscapes. Expounds that first the students examine a variety of landscapes by different artists, such as Paul Cezanne, and then learn the differences between the foreground and background. (CMK)

The imminent closing of their school led one school's teachers to design the curriculum for the last six months around the theme of shelter. Activities utilized included thinking and verbalizing about the idea of shelter, building and writing about shelters, building cameras and taking photographs, and going on field trips. (IS)

This handbook demonstrates how studio art concepts may be broken down into their simplest level, thus, allowing preschool and elementary students to work with one particular concept and technique at a time. Teachers are encouraged to coordinate open-ended painting activities with major study units taking place in the classroom. The fourteen…

A recently developed pictorial and musical program was used to teach abstract art to 12 elementary students with severe intellectual disabilities and 12 controls. There was a significant main instructional effect favoring pictorial with classical music over both pictorial only and pictorial with rock music. (Contains references.) (Author/CR)

Describes a relief printmaking unit for sixth graders with the objective of decorating the inside of a pyramid. Ancient Egyptian imagery was used to help students become familiar with the style. Students designed and printed linoleum prints in different colors. They then critiqued their work and made their selection for the pyramid. (KM)

Focuses on a group of children with moderate learning difficulties who exhibited a lack of interest or enjoyment in drawing. Attributes this to a developmental lag in the use of specific forms and drawing skills. Concludes that nonspecialist teachers could benefit from a greater awareness of developmental stages. (MJP)

Suggests that asking children to color within the lines does not stifle their creativity but is similar to expecting children to stand in line for the bus or write neatly. Proposes that expecting students to color within the lines is establishing a basis of knowledge and control from which they can eventually explore more creative avenues of…