Presents a variety of approaches to help students develop understanding and positive attitudes toward the complexities of electronic sounds. (Part of a theme issue on aspects of contemporary music.) (Author/SJL)

Discusses the use of imagination as a tool to improve students' musicianship. Suggests that imagery can be used to teach intonation, tone color, sight-reading, and expression. Describes active listening in which the students must use musical memory and participate in musical expression to produce a certain sound that may be difficult to describe.…

Presents study results of the effects of different teaching methods on the ability of nonmusician, college students to distinguish meter. Explains that one group heard meter defined with examples, another emphasized meter with large muscle movements, and a third heard examples with reinforcing clicks. Reports that all groups differed from the…

Few teachers, students, or parents would question the importance of practice when learning to sing or play an instrument. And, while most who are involved in music education would probably concur on certain aspects of what constitutes good music teaching and lessons, they would probably also agree that a problem may exist in what takes place in…

The music classroom is the perfect setting for investigative and imaginative inquiry--for teaching students how to talk about music. Because dialogue that is done well is too dynamic to be captured in a one-dimensional model, the ideas and frameworks in this article are merely intended to serve as springboards for eliciting richer discussions in…

This article is taken from doctoral research which sought to discover the nature of teachers' pedagogy in the primary school classroom by looking at their understanding of the teaching of composing, their approach to lesson design and organisation, and the way these are reflected in their practice. Specific examples of six case studies involving…

Educators need to develop teaching strategies that allow children to explore creative musical processes that will nurture musical skills, self-awareness, and imagination. A sequence of five lessons encompassing language arts and music demonstrates how students can develop creativity by writing haiku and then composing music to accompany the poems.…

Discusses negative experiences which can inhibit a student from wanting to sing and describes methods that a secondary teacher can use to enhance student self-esteem while increasing their music appreciation. (AM)

This article discusses the use of music for the cultural aspect of language instruction, and outlines ways to present specific musical works. (Text is in French.) (CLK)

Contends the history and values that lie behind Jewish music offer music educators more than the holiday songs normally utilized. Discusses a variety of ways that Jewish music can enrich students' understanding of and appreciation for music history. Lists important composers of Jewish and non-Jewish background who have produced Jewish music. (DB)

A study of four- to six-year-old children in China compared experimental and traditional teaching methods of music education. Findings supported the value of the Comprehensive Musicianship Education approach for students. (SH)

The practium paper describes the development and implementation of a music laboratory program which was designed to introduce music to gifted and talented elementary school students. Program objectives, plan of action, implementation procedures, evaluation, and budget are described. The general objective of the program was to prepare the students…

This paper provides examples of how music can be used in geography instruction at the elementary, secondary, or college levels. The occasional use of music can foster imagination and promote greater aesthetic awareness with regard to landscapes and human situations. Many concepts and terms in physical geography can be lined with music. A good…