A teacher or art specialist who would like to initiate kite activities will draw confidence from beginning with proven, class-tested designs, easy to make and decorate, sure to fly, using inexpensive materials. Instructions for making a Vietnamese kite and a stapled sled kite are provided. (RM)

Techniques are presented to get children thinking about their body motions, thereby increasing the expressiveness of their drawings. (RM)

The authors suggest using graphic dialog--an adult and child drawing together and discussing their work--as a way of developing children's graphic skill. They illustrate the procedure through case studies and note that graphic dialogs between two children can also be effective. (SJL)

In this article, the author discusses children's art and writing and how they connect. Different ages and stages of art and writing are presented. The process of creating handmade books is another area where art and writing intersect. Since both are an important means of communication, books are an important way to combine art and writing, and to…

Presented are techniques that elementary and secondary art teachers can use to help students evaluate their own works of art. These include mapping and diagramming, tracings, coverings, cutting apart and placing together, estimating, framing, enlarging and reducing, simplification and elaboration, projecting, playful tools, celebrations and…

Drawing is one of the first forms of art, both in historical terms and in terms of a child's development. Once in school, children should continue to draw and should be encouraged to draw better. Children learn to draw by drawing and by examining the drawings of others. (RM)

Thirteen ideas for using paper bags for class art activities are given. Directions for making bag barracudas, bionic bags, bigfoot bags, bag sculptures, bag beads, and body bag superstars are included. (PP)

Discusses how Franz Cizek, the first proponent of the hands-on approach to childrens' art education, influenced the direction of twentieth century art education. The author points out that, although Cizek's theories profoundly influenced other educators, he himself never actually applied them in his own classes. (AM)

The author credits Pestalozzi with influencing most nineteenth century Continental theorists on the teaching of drawing through his theories, published circa 1800, on drawing as an essential and integral part of each child's education. He analyzes Pestalozzi's approach in the context of his life, times, and general theory of education. (Author/SJL)

Asserts that the copying of artworks does not stunt a child's creative development; rather it can serve children, as it did many great artists, as a useful tool for the development of the technical and aesthetic skills necessary for creative expression. (SJL)

Described is a method of tapping students' creative potential in art: the Spontaneous Response Drawing. SRD consists of drawing with a single line, usually with crayons or colored felt tip pens on a large sheet of paper. (KC)

Presents three drawing/writing activities for primary grades: telling picture stories, attaching words to picture stories, and (for older primary students), interpreting writing through art. (SM)

The author talks of his works with Bilingual students in literature circles, his experience with these children allowed him to reflect on an approach for teachers who want to incorporate art into literacy learning for bilingual children in a more meaningful way. He further states that the art core of literacy experiences with picture books allowed…

Literature on children's drawing was reviewed for the purpose of illuminating issues of developmental stages, differences in development, perceptual problems, and instructional methods that influence learning in children's drawings. A glossary of terms used in the literature was compiled. Conclusions were drawn from the studies reviewed with a…

The paper describes ways of incorporating a ceramic program into existing curricula for exceptional children. The program focuses on the process of producing clay products and has as its goals: tension release, heightened self-image, improved coordination, personal growth and emotional maturity. The manual describes organizatonal structure, goals,…