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Agee, Remy; Welch, Marlene – Exchange: The Early Childhood Leaders' Magazine Since 1978, 2012
Imagination is one component of creativity; self-expression is another. The early childhood classroom should be full of creative possibilities that allow children to use their imaginations. For creativity to flourish, staff must provide an environment that fosters creative expression. Imagination itself is "the act or power of forming a mental…
Descriptors: Creative Activities, Play, Imagination, Early Childhood Education
Ferholt, Beth; Rainio, Anna Pauliina – Early Years: An International Journal of Research and Development, 2016
Ambivalence is a relatively little advanced concept for studying young people's engagement in education. We present a case study in which a teacher of a kindergarten-first-grade classroom works within an activity called a "playworld" to engage a child who had been excluded from certain classroom practices, after having been perceived by…
Descriptors: Early Childhood Education, Student Motivation, Motivation Techniques, Teacher Student Relationship
Amado, Diana; Del Villar, Fernando; Sánchez-Miguel, Pedro Antonio; Leo, Francisco Miguel; García-Calvo, Tomás – Journal of Creative Behavior, 2016
The aim of this study was to learn about the effectiveness of two dance teaching techniques, the creative examination technique and the direct instruction technique, on the satisfaction of basic psychological needs, the level of self-determination, the perception of usefulness, enjoyment and effort of physical education students. Likewise, it…
Descriptors: Creativity, Teaching Methods, Creativity Tests, Student Motivation
Shevock, Daniel J. – Action, Criticism, and Theory for Music Education, 2015
Paulo Freire was an important figure in adult education whose pedagogy has been used in music education. In this act of praxis (reflection and action upon the world in order to transform it), I share an autoethnography of my teaching of a university-level small ensemble jazz class. The purpose of this autoethnography was to examine my teaching…
Descriptors: Music, Music Education, Creative Activities, Music Activities
Crutchfield, John, Ed.; Schewe, Manfred, Ed. – Multilingual Matters, 2017
Over the last two decades drama pedagogy has helped to lay the foundations for a new teaching and learning culture, one that accentuates physicality and centres on performative experience. Signs of this 'performative turn' in education are especially strong in the field of foreign/second language teaching. This volume introduces scholars, language…
Descriptors: Multicultural Education, Drama, Performance, Second Language Instruction
Booth, Eric – Harvard Educational Review, 2013
In this reflective essay, Eric Booth utilizes his Habits of Mind for Creative Engagement to offer two suggestions for intensifying the impact of arts learning in schools. Booth's first suggestion redefines what artistic engagement really means and where it can contribute to creative learning. His second suggestion advocates for the use of…
Descriptors: Art Education, Creativity, Learner Engagement, Cognitive Processes
Bernhard, H. Christian, II.; Stringham, David A. – International Journal of Music Education, 2016
The purpose of the study was to investigate undergraduate music education majors' confidence in teaching improvisation, according to the NAfME (1994) K-12 Achievement Standards. Specific research questions were: 1) How confident are music education majors in implementing the 11 improvisation achievement standards for grades K-12? 2) How confident…
Descriptors: Music Education, Undergraduate Students, Standards, Creative Teaching
Yazgan-Sag, Gönül; Emre-Akdogan, Elçin – Australian Journal of Teacher Education, 2016
Although creativity plays a critical role in mathematics, it remains underestimated in the context of a mathematics classroom. This study aims to explore the views and differences creativity displays in prospective teachers and one of their lecturers with respect to the characteristics and practices of creative teachers and the characteristics of…
Descriptors: Mathematics Teachers, Creativity, Mathematics, Professional Personnel
Rex, Liz; Woywod, Christine – Art Education, 2014
Educators hope that the impact teaching and curriculum have on students extends far beyond the classroom, making practical connections to daily life. Powerful myths about where art happens, who participates in the art world, and the communities that judge art, however, can cause feelings of exclusion, where even formally trained artists can feel…
Descriptors: Art Activities, Art Education, Lifelong Learning, Educational Environment
Yoo, Hyesoo; Kang, Sangmi – General Music Today, 2014
The purpose of this article is to introduce the characteristics of Korean rhythmic patterns and provide effective ways to teach Korean rhythms based on the theoretical and pedagogical approaches derived from 5,000 years of Korean musical tradition. First, we have provided the fundamental principles of Korean rhythms that represent the culture from…
Descriptors: Music, Music Education, Teaching Methods, Asian Culture
Rocco, Richard A.; Whalen, D. Joel – Journal of Marketing Education, 2014
In an application of experiential learning, assessment, and career development, this article reports a field experiment of teaching sales students adaptive selling skills via an "Improvisational (Improv) Comedy" technique: "Yes, And." Students learn this well-established theatrical improv method via classroom lecture,…
Descriptors: Business Administration Education, Sales Occupations, Salesmanship, Class Activities
Kong, Kaishan – Learning Languages, 2015
The connection between teachers' identities and their influence on creative teaching can be found in literature on identity negotiation theory (Norton) and relationship between teachers' understanding of themselves, knowledge, and teaching practice (Johnson and Golombek). Informed by the relevant literature, this qualitative inquiry explores two…
Descriptors: Creative Teaching, Immersion Programs, Professional Identity, Teaching Methods
An Approach to Improvisation Pedagogy in Post-Secondary Jazz Programmes Based on Negative Dialectics
Louth, Joseph Paul – Music Education Research, 2012
This article argues that an approach to jazz improvisation pedagogy based on negative dialectics may provide a viable solution to the threat of codification of the jazz language as a result of the academisation of improvisation studies at the post-secondary level. Some tentative means of incorporating such an approach into the design of university…
Descriptors: Music, Creative Activities, Discipline, Self Control
Murray, Beth; Salas, Spencer – English in Texas, 2014
Using Jane Austen's "Sense and Sensibility" as an anchor text, the authors argue for applied theatre strategies as vivid and viable tools for exploring challenging texts and applying critical lenses in an embodied way. Readers are guided through a series of theatre-based, English-classroom accessible improvisational frameworks to help…
Descriptors: Creative Activities, Teaching Methods, Novels, English Literature
Kaur, Manmohan; Wangler, Thomas – International Journal for Technology in Mathematics Education, 2014
Although most calculus students are comfortable with the Cartesian equations of curves and surfaces, they struggle with the concept of parameters. A multivariable calculus course is really the time to nail this concept down, once and for all, since it provides an easy way to represent many beautiful and useful surfaces, and graph them using a…
Descriptors: Creativity, Technology Uses in Education, Calculus, Mathematical Concepts