Offers an integrated art lesson in which kindergarten students drew a picture in response to the "Three Blind Mice" using geometric shapes for the mice. Summarizes the technique used to create the mice and focuses on mixing colors to introduce tints and shading to the students. (CMK)

There are few studies measuring the effects on painting quality of playing background classical music at special schools. Primary students with severe intellectual disabilities (N=24) were taught abstract painting in a two-part method. The first part involved a Pictorial Only method and the second, immediately following it, involved a Pictorial…

Learning through the arts has the potential to stimulate open ended activity that encourages discovery, exploration, experimentation and invention, thus contributing to children's development in all areas of learning and helping to make the curriculum meaningful to them. In this book, the author draws on her extensive experience of promoting young…

Both students and their mothers became motivated to participate in and react to an art program developed at Oklahoma State University. The program used the mothers as volunteers who were trained to stimulate students' interests in famous art prints. (RK)

This is the third and final article in a series that describes an approach to teaching art that integrates the critical, historical and productive aspects of art learning and provides a natural forum for ideas. (Author/RK)

Highlights a four-part slide show focusing on the humanistic legacy of water: (1) water in literature; (2) architecture; (3) religion; and (4) painting. Discusses representative slides in each category and presents a complete list of all slides that comprise the program. (BC)

This experiment compared six methods of teaching concepts of painting style. A practice-plus-verbal feedback teaching strategy (active condition) was compared to a strategy using modeled verbal response (passive condition). Each strategy was combined with three amounts of information: none, artist's name, and name plus style rule. (Author/SJL)

Maintains that, by the time students reach sixth grade, they are tired of painting flowers. By viewing them through the eyes of the artist, Georgia OKeefe, students interests are revived. Students analyzed her methods and then drew and painted their own large scale paintings. (KM)

Maintains that one of the ongoing challenges of art education is to encourage the correct and effective use of terminology. Discusses expressionism, particularly in relation to landscape painting. Includes discussion of the background, techniques, and full-page color illustrations of four works by major expressionist painters. (CFR)

Describes and provides samples from a book on art appreciation by looking at landscape paintings with children. Reproduces four paintings, offers questions to use with students, and presents information on the artists and their pictures. The paintings are by George Inness, Henri Rousseau, Stuart Davis, and Edward Hopper. (JB)

Presents the experiences of an art teacher during the first year of teaching art to elementary students. Discusses methods of developing a creatively fulfilling art class, including how the artroom was transformed into the "Paintbrush Palace" and how the teacher became "Queen Paintbrush." (DB)

Presents lesson plans for grades K-3 based on 4 well-known paintings Discusses historical background and cultural impact of the paintings. Provides student activities and assessment suggestions. (CFR)

Establishes a link between the themes of Golding's fiction and the paintings of the Brueghel. Traces their use of the grotesque to impress a message on the mind of the reader or viewer. (CRH)

It is possible to connect art and language arts using traditional Japanese art. After explaining the Japanese art forms of Haiku poetry and sumi-e painting, the article describes a project in which students write haiku on special paper then illustrate their poems with gung and shey strokes. (SM)

Shows how a visually exciting object--a motorcycle-- motivated middle and high school students to improve their observation and drawing skills. Outlines the drawing and painting assignments and shows illustrations of the students' work. (DB)