Expressionistic textured paintings are intense and passionate for both the viewer and the artist. Regional subject matter can relate the artist's feelings with the period and location of the artwork. This article briefly describes one classroom's experience engaging in a lesson relating to combining Expressionism and Regionalism. The class was a…

In this article, the author, an art teacher, relates how she struggles every year with finding the time for every lesson she wants to do with her students. Because of time constraints, she always had to make a decision each quarter as to whether her seventh graders would do an artist research lesson, a multimedia project, or a unit on portraits.…

Painting in early childhood classrooms should have its own values and purposes enriching young children's aesthetic intelligence rather than being considered as mere supplements to other art activities. The three approaches to painting in early childhood settings--Bank Street, Reggio, and Waldorf--consider painting as the core of integrated…

This article describes how the students in Maine greatly benefited from the original artworks donated by the famous artist William Thon. Thon was a 20th century artist celebrated in Maine for his paintings of coastal landscapes, turbulent seascapes, sailboats, and fishing boats. Thon, who was widowed, childless, and blind, has left his…

The monotype is a singular work of art created by transferring an image from one surface to another. Methods and suggestions to help elementary and secondary students make watercolor monotypes are discussed. (RM)

A functional approach involving collage, two-dimensional design, three-dimensional construction, and elements of Cubism, is used to teach abstract design in elementary and junior high school art classes. (DS)

Offers 17 exercises combining writing and painting, each with its own theme and goal, and all designed to show that close observation is fundamental to the effectiveness of both visual and verbal expression. (SR)

Suggests the use of Sumi-e painting with its emphasis upon simplicity as a means of motivating students to explore a new and interesting form of visual expression. Describes an activity which involves a demonstration of this art form. Includes a chart showing the seven basic Japanese Sumi-e strokes. (KO)

Argues that how and why a particular range of texts are selected, read, and taught determines the extent to which they contribute to a pupil's development. Shows how the teaching of John Keats's "Isabella or the Pot of Basil" and paintings by William Holman Hunt and John Everett Millais meet the challenges of the new Order for English.…

Presents art projects to help elementary educators teach their students about seascapes, providing students with basic techniques for portraying texture and mood in art. After discussing seascapes and lines and showing some examples, teachers can help students create seascapes from construction paper alone or with construction paper and…

Considers an approach to teaching classical mythology that focuses on the myth as a form of metaphor that communicates a universal truth through the themes and characters of the story. Applies this approach to the story of Pygmalion and Galatea and highlights both early and modern versions of the myth. (CMK)

By looking at statements that authors make in their books, article considered what is meant by an inconsistency and how vague and incompatible assertions can be misleading as well as trap an author into canceling out his own recommendations. (Author/RK)

Uses Durand's "An Old Man's Reminiscences" to introduce students in grades 4-6 to the effective use of nostalgia and memories in artwork. Presents lesson objectives, instructional strategies, evaluation criteria, and background information about the artist and the painting. (GEA)

Uses Goya's "The Sleep of Reason Produces Monsters" to acquaint students in grades 10-12 with the artist's highly personal imagery and innovative printmaking techniques. Includes lesson objectives, instructional strategies, follow-up procedures, and background information about the artist and the painting. (GEA)

Discusses the use of perspective, or showing things as the human eye sees them, when creating reflections and transparencies in works of art. Provides examples of artwork using transparency, reflection, and refraction by M. C. Escher, Richard Estes, and Janet Fish to give students an opportunity to learn about these three art techniques. (CMK)