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Showing all 12 results Save | Export
Joseph Harrell – ProQuest LLC, 2021
This study explored the decision making process of novice musical theater voice teachers. Musical theater voice teachers often begin teaching with diverse backgrounds in terms of teacher preparation. Currently, there is no standardized trajectory for someone who is interested in pursuing voice teaching. Further, there is no well-defined body of…
Descriptors: Beginning Teachers, Music Teachers, Music Education, Singing
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Kvammen, Anne Cecilie Røsjø; Hagen, Johanne Karen; Parker, Stephen – International Journal of Education & the Arts, 2020
In an attempt to bridge the gap between the distinct pedagogical strategies often employed in the respective fields of song and dance, this study investigates how collaborative teaching and dialogue can serve as a starting point in finding new teaching and learning methods. This pilot study involving three teacher-researchers and three students…
Descriptors: Teacher Collaboration, Dance Education, Teaching Methods, Singing
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Dale Schmid – Dance Education in Practice, 2024
The National Art Education Association (NAEA) launched the Connected Arts Networks (CAN) initiative in September 2022. CAN is a collaborative effort among the NAEA, the National Dance Education Organization (NDEO) and other esteemed partners, including the Educational Theater Association (EdTA), the National Association for Music Education…
Descriptors: Dance Education, Communities of Practice, Theater Arts, National Organizations
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Bernard, Cara Faith; Rotjan, Matthew – Action, Criticism, and Theory for Music Education, 2021
In this article, we query how action is contextualized and used in music education, centering the discussion around problems of calling for change without taking action, what Paulo Freire terms "narration sickness." Narration sickness manifests in social media, conferences, and professional development sessions--where words convey ideas…
Descriptors: Music Education, Educational Change, Teaching Methods, Music Teachers
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Mars, Annette – International Journal of Education & the Arts, 2016
This article presents a study investigating musical learning among 9th grade adolescents in a Swedish lower secondary school. The adolescents collaboratively composed songs for a self-written musical, which they taught to their peers. The purpose of the study was to explore the ways in which adolescents acquire musical knowledge in this specific…
Descriptors: Music, Theater Arts, Music Education, Secondary School Students
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Triantafyllaki, Angeliki – Music Education Research, 2010
This paper explores the interrelationship between performance teachers' professional identity and the various forms of professional knowledge they bring to their work. The data derive from an ethnographic case study conducted across a period of 12 weeks in each of two distinct music training institutions in Greece--a University Music Department…
Descriptors: Foreign Countries, Music Teachers, Performance, Musicians
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Hughes, Kristine – Journal of Staff Development, 2011
Most students attend summer school not because it's their idea of a good time, but because they need to in order to advance to the next grade. To many students--and even some teachers--summer school feels more like punishment than an opportunity to learn and explore. In July 2010, working with a nonprofit organization called Big Thought, officials…
Descriptors: Summer Schools, School Activities, Visual Arts, Summer Programs
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Ward, Vicky – British Journal of Music Education, 2007
Despite recent moves toward a more collaborative relationship between the academic pursuit of music analysis and the practical pursuit of music performance, there remains a gulf between the two disciplines. This is partly because attempts at collaboration have generally focused on the use of music performance as a way of teaching music analysis…
Descriptors: Music Education, Teaching Methods, Teaching Guides, Music Teachers
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Cox, James – Music Educators Journal, 1989
Discusses the abilities a conductor must invoke in order to develop a successful choral ensemble. Recommends recruitment strategies, lists characteristics of successful teaching styles, offers suggestions for programing and literature selection, for score analysis, and for rehearsal structure and techniques. (LS)
Descriptors: Choral Music, Classroom Techniques, Music Education, Music Teachers
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Ulrich, Jerry – Music Educators Journal, 1993
Asserts that the quality of any musical performance is a direct result of what happens in rehearsals. Argues that the primary responsibility for planning and implementing successful rehearsal sessions falls to the conductor. Describes a six-step approach for rehearsals, which should begin at least six months prior to the performance date. (CFR)
Descriptors: Class Activities, Class Organization, Classroom Environment, Concerts
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Cox, James – Journal of Research in Music Education, 1989
Attempts to determine the type of rehearsal organizational structure used by successful Ohio high school mixed chorus directors. Examines relationships between rehearsal structure and either teaching style or student attitudes. Results imply that music methods courses should offer a variety of rehearsal organizational strategies. (Author/LS)
Descriptors: Choral Music, Classroom Research, Higher Education, Instructional Improvement
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Goolsby, Thomas W. – Journal of Research in Music Education, 1997
Studies videotapes of different band directors and their rehearsals to ascertain the various approaches and emphases of expert, novice, and student teachers. An analysis of frequency distributions for performance and rehearsal variables reveals that all three categories stress rhythm and tempo the most frequently. Includes further analysis of…
Descriptors: Bands (Music), Beginning Teachers, Classroom Communication, Educational Research