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Pablo Rodriguez Aedo – ProQuest LLC, 2021
This study is about music teaching strategies for students with low vision, including blindness. Based on a two-case ethnographic design, this study focuses on understanding what decisions in terms of activities, lesson plans, and curricula, six participants from two different schools adopted for their students, as well as how these decisions…
Descriptors: Music Education, Teaching Methods, Students with Disabilities, Visual Impairments
Park, Hyu-Yong; Kim, Mi-Jung – British Journal of Music Education, 2014
Affordance refers to the properties or designs of a thing that offer the function of the thing. This paper discusses the affordance of Braille music in terms of three notions: mediational means, mastery and appropriation, and focuses on answering the following three questions: (i) How do musicians with visual impairments (MVI) perceive Braille…
Descriptors: Braille, Blindness, Visual Impairments, Music Education
Baker, David – British Journal of Music Education, 2014
With the support of the Royal National Institute of Blind People (RNIB), the life histories of five visually impaired (VI) musicians were collected and analysed between November 2011 and August 2012. This research was conducted as a pilot for a two-year, national investigation of VI musical participation, "Visually-impaired musicians'…
Descriptors: Visual Impairments, Blindness, Musicians, Foreign Countries

Lam, Rita C.; Wang, Cecilia – Music Educators Journal, 1982
Discusses teaching methods and instructional aids developed to integrate blind students into a private class for elementary-school-aged piano students. Instructional aids incorporate auditory and tactile stimuli to teach music notation skills. Commercial games, like Bingo, were modified with Braille symbols to teach rhythm concepts. (AM)
Descriptors: Blindness, Braille, Educational Games, Elementary Education

Siligo, Wayne Roy – Music Educators Journal, 2005
This article will give music educators some practical tools and information for helping students with visual impairments enjoy the ensemble experience. The author has used these tools as music director at the California School for the Blind (CSB) and as a musician who is visually impaired. All observations and techniques mentioned here come out of…
Descriptors: Music Teachers, Visual Impairments, Music Education, Academic Accommodations (Disabilities)
Shepherd, Jr., Louis T.; Simons, Gene M. – Music Educ J, 1970
Descriptors: Academic Ability, Braille, Music Education, Music Reading