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Ergin, Demirali Yasar; Gurbuz, Aylin; Sakarya, Gül – Turkish Online Journal of Educational Technology - TOJET, 2021
The study had a descriptive survey model. The purpose of the study was to determine the problems faced in art education by academicians in fine arts education under the conditions of COVID-19 pandemic, and to help take measures for the solution of these problems. The population of the study consisted of higher education institutions/branches that…
Descriptors: Fine Arts, Art Education, COVID-19, Pandemics
Moore, James R. – Social Studies, 2022
One of the most effective methods for teaching social studies events, concepts, and issues incorporates the fine arts into lesson plans. The fine arts, such as photography, architecture, paintings, tapestries, and sculptures reflect the core cultural values, political ideals, and religious beliefs of a civilization and offer excellent…
Descriptors: Teaching Methods, Social Studies, Fine Arts, Interdisciplinary Approach
Gao, Hongchen – International Education Studies, 2019
Finding a unique way to help students better accept between traditional Chinese Painting and Modern and Contemporary Art is an increasing concern in primary school art teaching. The purpose of this study is to investigate fine art education field according to analyze the current situation of Chinese traditional painting and calligraphy together…
Descriptors: Handwriting, Painting (Visual Arts), Culturally Relevant Education, Art Education
Khan, Muhammad Sher Ali – Online Submission, 2014
The development of art education in Pakistan over the last five decades is explored through three major phases: Arts as traditional crafts together with proficiency in painting and calligraphy. Such skills; somewhat existed in academies but, were then transferred through apprenticeship system. Arts in the academies; the first turning point, that…
Descriptors: Foreign Countries, Art Education, Painting (Visual Arts), Educational Development
Giampa, Joan Marie – ProQuest LLC, 2012
Sinking maps, created by Northern Virginia Community College professor Joan Marie Giampa, are tools that teach fine art students how to construct visual metaphor by conceptually mapping sensory perceptions. Her dissertation answers the question, "Can visual metaphor be conceptually mapped in the art classroom?" In the Prologue, Giampa…
Descriptors: Fine Arts, Sensory Experience, Maps, Visual Stimuli

Matteo, Barbara – Art Education, 1989
Offers a lesson plan for acquainting students in grades 10-12 with the dimensions of style and technique of still life painting in the United States during the late nineteenth century. Uses William Michael Harnett's "Plucked Clean" to convey concepts of composition. Suggests instructional strategies and outlines a studio activity. (KO)
Descriptors: Art Education, Artists, Creative Activities, Fine Arts

Lind, Ted – Art Education, 1988
Uses Durand's "An Old Man's Reminiscences" to introduce students in grades 4-6 to the effective use of nostalgia and memories in artwork. Presents lesson objectives, instructional strategies, evaluation criteria, and background information about the artist and the painting. (GEA)
Descriptors: Art Education, Artists, Class Activities, Fine Arts

Andre, Linda – Art Education, 1988
Uses Goya's "The Sleep of Reason Produces Monsters" to acquaint students in grades 10-12 with the artist's highly personal imagery and innovative printmaking techniques. Includes lesson objectives, instructional strategies, follow-up procedures, and background information about the artist and the painting. (GEA)
Descriptors: Art Education, Artists, Class Activities, Fine Arts
Blizzard, Gladys S. – American Educator: The Professional Journal of the American Federation of Teachers, 1992
Describes and provides samples from a book on art appreciation by looking at landscape paintings with children. Reproduces four paintings, offers questions to use with students, and presents information on the artists and their pictures. The paintings are by George Inness, Henri Rousseau, Stuart Davis, and Edward Hopper. (JB)
Descriptors: Art Appreciation, Art Education, Artists, Children
Feinstein, Hermine – 1983
The purpose of this study was to teach students a way to interpret paintings metaphorically. Twenty seven art education majors were taught the clustering strategy to write metaphoric interpretations of three types of paintings (slides): realistic, abstract, and non-objective. Subjects were then randomized into two groups. Prior to using the…
Descriptors: Art Activities, Art Education, Educational Research, Fine Arts
Greenaway, Jean E. – 1972
An introductory course designed to develop skills and techniques in transparent watercolor offers an exploration of a variety of techniques emphasizing drawing and composition and allowing the student to create and matt his own paintings. Students in grades 7 through 12 develop competencies in flat and graded wash and dry and stipple brush…
Descriptors: Art Activities, Art Education, Course Descriptions, Course Objectives

Riddoch, Jane V.; Waugh, Russell F. – Journal of Intellectual and Developmental Disability, 2003
A recently developed pictorial and musical program was used to teach abstract art to 12 elementary students with severe intellectual disabilities and 12 controls. There was a significant main instructional effect favoring pictorial with classical music over both pictorial only and pictorial with rock music. (Contains references.) (Author/CR)
Descriptors: Art Activities, Art Expression, Childrens Art, Classical Music

Miller, Stacy – Art Education, 1989
Provides a lesson plan for teaching K-three students to analyze and empathize with a portrait by post-impressionist painter Vincent van Gogh. Describes background of the artist and the painting "The Postman Roulin." Suggests instructional strategies, activities, and evaluation methods. Lists bibliographical material relative to van…
Descriptors: Art Activities, Art Education, Artists, Class Activities

Brighton, Christopher – Journal of Art and Design Education, 1992
Discusses problems in the teaching of art history to art students. Reports on a study in which student analysis and categorization of their own paintings and paintings of other artists became the primary activity of an art history course. Concludes that this approach enhances the use of art history as a source for students' own creative work. (CFR)
Descriptors: Art Education, Art History, Artists, Cognitive Processes

Bray, Pam – Art Education, 1988
Presents a lesson plan introducing K-3 grade students to visual elements in art and the idea that artists use dreams and fantasies as subjects for their art using Max Ernst's "Tree of Life." Outlines instructional strategies and lesson objectives. (GEA)
Descriptors: Art Education, Art Expression, Artists, Class Activities
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