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Lori Anne Palmer – ProQuest LLC, 2022
Art Appreciation is often a course that undergraduate students take to meet their general education requirements. However, many students have little interest or value of art due to a lack of previous art experiences and often choose the course because they feel it will be relatively easy. This qualitative, naturalistic inquiry focused on students'…
Descriptors: Art Education, Art Appreciation, Teaching Methods, Aesthetics
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Powell, Olivia – Journal of Museum Education, 2017
How can museum educators create dialogical experiences with European decorative arts? This question frames my essay and stems from the challenges I have faced introducing objects whose original functions seem to overshadow their aesthetic and interpretive value. Repeated efforts to spark rich dialogue and collective interpretation around pieces of…
Descriptors: Art Appreciation, Art Education, Art History, Art Products
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Kali, Yael; Sagy, Ornit; Kuflik, Tsvi; Mogilevsky, Orit; Maayan-Fanar, Emma – IEEE Transactions on Learning Technologies, 2015
We report on the development and evaluation of an innovative instructional model, which harnesses advanced technologies and local resources (an in-campus museum), to support undergraduate-level art history students in developing the skills required for analyzing artwork. Theory suggests that analyzing artwork requires theoretical knowledge and…
Descriptors: Educational Technology, Technology Uses in Education, Museums, Undergraduate Students
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Brown, Susannah – Childhood Education, 2007
A focus on school reform within the field of elementary education has brought an arts-integrated approach to teaching and learning to the forefront. This is not a new approach, as integrating what many call "hands-on activities" in the classroom is quite common. The difference lies in the quality and depth of the approach to teaching and learning,…
Descriptors: Teaching Methods, Elementary Education, Integrity, Art History
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Lee, Sun-Young; Barrett, Terry – Studies in Art Education, 1991
Argues that studying professional art critics can provide material for studying art criticism in the classroom. Focuses on the published work of Lawrence Alloway. Describes how his work covered a wide range of artists and movements and how he was politically proactive in promoting underrepresented populations of artists. (KM)
Descriptors: Art Criticism, Art Education, Art History, Artists
Illinois Art Education Association, Aurora. – 1990
This publication includes descriptions of arts programs, units of study, lesson plans, and course outlines submitted by Illinois arts teachers who answered the invitation to document their successful approaches to art edication. This compilation was not designed to be prescriptive, but to be representative of activities in Illinois. The articles…
Descriptors: Aesthetic Education, Art Criticism, Art Education, Art History
Thomas, Jackie – 1990
The four content areas of discipline based art education (aesthetics, art criticism, art history, and art production) should be addressed in every art education unit planned and taught to students. All four content areas are addressed in the process of formal art criticism therefore every unit/lesson that utilizes a formal art criticism also…
Descriptors: Art Activities, Art Criticism, Art Education, Art History
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Marschalek, Douglas – Art Education, 1991
Describes a computer system in which art reproductions are described and entered into a database containing 27 categories of information. Named the Visual Art Index System (VIAS), its underlying structure is influenced by contemporary models of aesthetics and art criticism. Maintains that the database and laserdisk can effect teaching methodology,…
Descriptors: Art Criticism, Art Education, Art History, Artists
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Anderson, Tom – Art Education, 1991
Explores the sources of art criticism and reviews some extant pedagogical models. Outlines the content skills to be developed and the role of art criticism in a discipline-based teacher training curriculum. Recommends that art criticism should incorporate pedagogy and other disciplines of art. (KM)
Descriptors: Art Criticism, Art Education, Art History, Art Teachers
MacGregor, Ronald N. – 1992
This ERIC digest explores aspects of post-modernism in art and art education. The adoption of post-modern attitudes by art educators must result in the generation of different, but no less difficult questions about the nature of formal education. Support for this argument comes from recent art education publications supplemented by relevant, but…
Descriptors: Art Criticism, Art Education, Art History, Art Products
Pennsylvania State Dept. of Education, Harrisburg. – 1989
The collected papers from three conferences about art education are documented in three volumes. The first conference addressed art education, aesthetics, and art criticism. Eighteen scholars representing classroom teachers, museum educators, and university faculty were invited to prepare papers on the general topic of aesthetics and art criticism…
Descriptors: Aesthetic Education, Art Activities, Art Criticism, Art Education
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Stinespring, John A; Steele, Brian D. – Art Education, 1993
Recommends using an activity-based approach to art history similar to that of the "new social studies" movement of the 1960s. Provides suggestions for activities related to art criticism, style, and inductive learning. Concludes that student activities can help integrate art history and studio art in art education programs. (CFR)
Descriptors: Art Activities, Art Appreciation, Art Criticism, Art Education
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Laney, James D.; Moseley, Patricia A. – Social Studies Texan, 1995
Presents a sample lesson plan using Discipline Based Art Education (DBAE), an approach that integrates social studies with related content from other disciplines. The lesson plan combines economics, art history, aesthetics, and art criticism in its "Analysis of a Fresco Depicting Production in an American City." Includes follow-up…
Descriptors: Aesthetics, Art Criticism, Art History, Bibliographies
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Jacobsen, Susan – Art Education, 1994
Contends that a work of art may have more than one story to tell and that the full meaning requires knowledge of the artist's background and culture. Presents four classroom lessons based on three paintings and a beaded belt. Includes full-page color photographs of the art works. (CFR)
Descriptors: Art Criticism, Art Education, Art History, Artists
Getty Center for Education in the Arts, Los Angeles, CA. – 1990
Proceedings from a seminar devoted to a discussion of issues related to discipline-based art education (DBAE), this document features three scholars addressing a given topic from the perspective of their particular discipline and experience in the field. Six topics were explored: (1) "New Voices on the Integration of Art Disciplines";…
Descriptors: Aesthetic Education, Art Criticism, Art Education, Art History
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