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Spooner, Sarah Louise; Jensen, Eric Allen; Tracey, Louise; Marshall, Andrew Robert – Environmental Education Research, 2019
The experience of visiting a zoo as a child can be remembered decades later and potentially influences future environmental attitudes. In light of steadily growing criticism of the ethics and value of live animal shows, some zoos are seeking alternative means of delivering 'edutainment' to a broad audience. One such alternative is through theatre.…
Descriptors: Conservation Education, Recreational Facilities, Theater Arts, Teaching Methods
Ngo, Bic; Chandara, Diana – Teachers College Record, 2021
Background/Context: Community-based youth theater programs afford youth opportunities to explore and "author" new identities by "performing writing." Yet, we know much less about the ways in which immigrant youth are exploring struggles and changes within their families and ethnic community. We particularly lack research about…
Descriptors: Theater Arts, Immigrants, Hmong People, Self Concept
Larri, Larraine; Whitehouse, Hilary – Australian Journal of Adult Learning, 2019
In this paper, we explore the concept of Nannagogy, an innovative pedagogy of informal adult learning enacted by the activist 'disorganisation', the Knitting Nannas Against Gas and Greed (KNAGs). The 'Nannas' are predominantly older women who undertake non-violent direct action using fibre craft, knit-ins, lock-ons, and occasional street theatre…
Descriptors: Social Change, Older Adults, Females, Activism
Perry, Mia; Wessels, Anne; Wager, Amanda C. – Journal of Adolescent & Adult Literacy, 2013
The field of literacy education encompasses many different modalities of reading and writing the world, including those of drama, theatre, and performance practiced in both school and community settings. As contemporary theatre practices have broadened performance creation approaches available to literacy and arts educators working with youth and…
Descriptors: Literacy Education, Theater Arts, Drama, Teaching Methods
Gildin, Marsha; Binder, Rose O.; Chipkin, Irving; Fogelman, Vera; Goldstein, Billie; Lippel, Albert – Harvard Educational Review, 2013
The authors of this article describe themselves as a lucky group of older adults, ranging in age from sixty to ninety-two, who participate in an intergenerational arts program at their local senior center in Flushing, Queens, one of New York City's most culturally diverse communities. In their living history theater program, run by Elders Share…
Descriptors: Art Activities, Older Adults, Theater Arts, Urban Areas
Butterwick, Shauna; Selman, Jan – New Directions for Adult and Continuing Education, 2012
Theater processes can powerfully connect mind, body, and emotions, providing opportunities and spaces for transformation. Based in stories from the authors' disparate but complementary practices, they focus here on facilitators' ethical responsibilities when bringing theater activities to processes of critical deconstruction of oppressive…
Descriptors: Critical Theory, Theater Arts, Teaching Methods, Risk
Poursabahian, Joyce Paul – Journal of Physical Education, Recreation & Dance, 2012
This article briefly discusses the challenges of teaching the 2,000 year-old classical dance form of Bharatanatyam to a student population that is alienated from its mythological framework. Bharatanatyam teachers today are responsible for passing on the technique, grammar, and artistic character of this ancient performing art to the current…
Descriptors: Theater Arts, Dance, Dance Education, Performance Factors
Okhakhu, Marcel; Evawoma-Enuku, Usiwoma – Education, 2011
This paper seeks to establish the relationship between Popular Theatre and Correctional Education. The Benin Prison experiment is the springboard for this laudable and valuable link. The paper strives stridently to show the value of Popular Theatre as a vehicle for achieving correctional values in a Correction centre. More than anything else, it…
Descriptors: Theater Arts, Correctional Education, Foreign Countries, Correctional Institutions
Katz-Buonincontro, Jen – Policy Futures in Education, 2011
How does improvisational theatre promote aesthetic learning in leaders, emphasizing emotion and somatic, or sensory, knowledge? While improvisational theatre has been used in organizational settings, there is little empirical research describing the aesthetic learning process geared towards preparing educational leaders. Based on a case study of…
Descriptors: Leadership Training, Teaching Methods, Theater Arts, Creative Activities
Tett, Lyn; Anderson, Kirstin; McNeill, Fergus; Overy, Katie; Sparks, Richard – Studies in the Education of Adults, 2012
This article investigates the role of the arts in enabling prisoners to engage with learning and improve their literacy, and the impact this has on their rehabilitation and desistance from crime. It draws on data collected from prisoners who participated in arts interventions in three different Scottish prisons. It argues that participating in the…
Descriptors: Active Learning, Drama, Audiences, Correctional Institutions
Mardirosian, Gail Humphries; Lewis, Yvonne Pelletier; Fox, Lynn Hussey – Teaching Artist Journal, 2007
In this article, the authors describe the outcomes of a Continuing Professional Development (CPD) course that offered a pedagogical innovation called "Imagination Quest." This CPD course was a part of a 2-year project entitled Teaching to Reach Potential. Participants were all from Montgomery County (Maryland) Public Schools' (MCPS')…
Descriptors: Professional Continuing Education, Inservice Teacher Education, Elementary School Teachers, Instructional Innovation
Noble, Steven E. – New Directions for Adult and Continuing Education, 2005
Transgressive and liberatory learning are explored through the creativity of popular theater as adult education when the freedom and power to imagine and raise awareness are placed in the interacting "bodymind" relationships of a group living with multiple psychiatric diagnoses.
Descriptors: Theater Arts, Mental Disorders, Adult Education, Psychiatry