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Yi, Gina J. – International Journal of Christianity & Education, 2022
A liberal arts education for Christians is about finding God's truth; therefore, Christian students need to be educated in a broad range of subjects, including music. While a music appreciation course is thought to be about gaining knowledge of music, some music scholars have pointed out that a music curriculum should involve students in…
Descriptors: Music Education, Liberal Arts, Christianity, Religious Education
HongMei Zhang – Education and Information Technologies, 2024
Using multimedia elements to present poetry can help make it more accessible and understandable to a broader audience. In the context of China, where poetry is important in culture and art, interpreting the poems of Chinese poets in contemporary music can help popularize their work among young audiences. The study aimed to explore the…
Descriptors: Foreign Countries, Poetry, Music, Multimedia Instruction
Campo, Sandra Soler – International Education Studies, 2020
Currently there is a great variety of musical styles that coexist in our society. We can access music in very different ways and with immediacy never before imagined. For teenagers, music is a key element in defining their identity, socializing and taking refuge in their inner world. This communication focuses on the analysis of songs from the…
Descriptors: Music, Coeducation, Music Appreciation, Secondary School Students
Argine Safari – ProQuest LLC, 2024
In secondary ensembles, teachers navigate the demanding balance of developing music literacy skills while preparing for concerts. This challenge intensifies in online learning environments due to limited opportunities for instant feedback, ensemble synchronization, and fostering a sense of community. The problem was the lack of understanding of…
Descriptors: Music Activities, Secondary School Teachers, Music Education, COVID-19
Wong, Sarah Shi Hui; Low, Amanda Chern Min; Kang, Sean H. K.; Lim, Stephen Wee Hun – Journal of Research in Music Education, 2020
The ability to recognize and distinguish among varying musical styles is essential to developing aural skills and musicianship. Yet, this task can be difficult for music learners, particularly nonexperts. To address this challenge and guide music education practice, this study drew on cognitive psychological principles to investigate the effect of…
Descriptors: Music Education, Musical Composition, Music Appreciation, Listening Skills
Henninger, Jacqueline – Update: Applications of Research in Music Education, 2018
As the demographics of our nation continue to evolve, music educators have a responsibility to embrace the opportunities they have to increase their students' levels of awareness and acceptance of others who may represent different ethnic groups. The following research-to-resource article will provide background information and recommendations for…
Descriptors: Music Education, Teaching Methods, Cultural Awareness, Concept Formation
Adams, Mark C. – Music Educators Journal, 2016
To better serve students' evolving needs in music, music educators must connect classroom learning with how students use and interact with music in their daily lives. One way to accomplish this is by approaching classrooms with the music user in mind, which can open new possibilities for meaningful music making and remove students from the…
Descriptors: Music Education, Music Appreciation, Audience Analysis, Audience Awareness
McCormack, Brittany A.; Klopper, Christopher – International Journal of Music Education, 2016
The ways in which we are able to communicate are, most of the time, dominated through speaking and listening. The ability to speak, listen and understand speech is the basis of oracy; a necessity within society today. The purpose of this study was to examine the interconnectedness of music and language to identify if music can assist in the…
Descriptors: Music Appreciation, Music Education, English (Second Language), Oral English
Shieh, Eric – Action, Criticism, and Theory for Music Education, 2016
In this article, I document a series of pedagogical responses in my high school instrumental music classroom following the events of Eric Garner's murder in New York City. Foregrounding traditions of black radical politics and aesthetics originating with the Black Power Movement in the 1960s, I explore their implications for classroom practice in…
Descriptors: High School Students, Grade 10, African Americans, Activism