Despite its relevance to and inclusion in pedagogical practices, reflection is a challenging activity for students in tertiary dance education according to teachers. The aim of the current study was to further explore the challenges encountered in the pedagogical practice of reflection. Data on the difficulties of reflection were collected from 14…

There is a lack of research examining practitioners' beliefs, understanding and attitudes towards the teaching of dance in England. In order to address this gap in the evidence, this paper reports on a recent survey of dance practitioners (n = 198) living and working in Yorkshire, the largest county in England, on what they consider to be the most…

This essay explores factors influencing high-quality teaching in dance. The author argues that deficiencies in the skills needed to teach the content of dance (i.e., pedagogical knowledge) pose a bigger threat to effective instruction than familiarity with the subject being taught (i.e., content knowledge). The process of learning to teach not…

When children create dances using their ideas, they are empowered to explore their thoughts, feelings, and perspectives. Through dance, they bring their inner self to the surface where they can express their dreams, fears, needs, and joys. Dance educators need to support children's ideas and trust the children's creative process, especially when…

These short essays address the political nature of teaching dance in higher education from various perspectives. Issues of identity, authority, power, expectation, and assumption are addressed within the context of the teacher-student paradigm. From personal perspectives, each author examines the ways in which who they are affects what and how…

This paper examines and reports on beginning generalist teacher self-efficacy, which Bandura (1997) suggests plays an important part in student outcomes. In 2008, 201 beginning generalist teachers throughout the state of Queensland, Australia, participated in a study that aimed to provide a snapshot of current perceptions towards support in…

This report compares important aspects of American and Chinese dance education through the lens of the "Chinese Leadership in Arts Education" workshops organized by Brigham Young University in response to requests from Chinese arts educators to observe American arts education in practice as a benchmark for assessing the direction of…

The aim of the study was to identify the features of the pedagogical context in choreography and dance technique classes which could be viewed as the basis for developing a suitable web-based ICT application to support teaching and learning in practical dance classes. The sample consisted of teachers from four dance academies in the Netherlands.…

Turnout is a vital element of many dance techniques. Aesthetically, turnout is used to fulfill artistic goals related to body line and design. Mechanically, it increases the potential range of movement in certain leg gestures and facilitates movements sideways through space. Turnout involves external rotation of the femur along its long axis in…

The three different perspectives on reflection in education are embedded in the philosophical traditions of pragmatism, critical social theory and Kant. We aimed to describe the pedagogical practices of reflection, and to develop a descriptive model of the practices of reflection in tertiary dance education which can be used by dance educators to…

Why would boys want to dance? Why would anyone want to dance? The argument prosecuted in this paper is that dance educators have tended to see dance as a self-evidently good thing with self-evident benefits for children who learn to dance. In other words, dance educators tend to concern themselves with why students should dance rather than why…

Examines educators' feminist pedagogical behaviors within a dance education community. Discusses the performance of pedagogical philosophy. Notes the communication in ethnographic research in dance education. Considers the Feminist philosophy of dance education. (SG)

Among 20 Ontario elementary school teachers (average teaching experience 13 years), none had ever taught creative dance but all felt it should be included in the elementary curriculum. Barriers to implementation included lack of training and confidence, little support from administrators and policymakers, and lack of resources and facilities. (SV)

Dance, nurtured in physical education departments, has elected to move away from physical education and affiliate with other disciplines in academia. The strongest argument for dance to remain in physical education is that removing physical dance from physical education department is tantamount to removing dance from removing dance from physical…

The dance teacher is a central figure in the world of dance; the impact of the dance teacher on the career of a young dancer can be decisive. A dance teacher is more often than not described as authoritarian. The present study investigated the various dimensions of the dance teacher's behavior. To map the teacher's behavior, a dance-adapted…