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Arantes do Amaral, João Alberto; Brito, Suzana Costa – Anatolian Journal of Education, 2018
In this article, we discuss the lessons learned in a system thinking course developed in a multicampus, distance-learning environment. Forty-six undergraduate students were involved; the students were from four campuses of the Federal University of São Paulo, Brazil. We explain the course design, curriculum and online components. We analyze the…
Descriptors: Student Interests, Learner Engagement, Distance Education, Active Learning
Tarricone, Pina; Newhouse, C. Paul – Australian Educational Researcher, 2016
Traditional moderation of student assessments is often carried out with groups of teachers working face-to-face in a specified location making judgements concerning the quality of representations of achievement. This traditional model has relied little on modern information communications technologies and has been logistically challenging. We…
Descriptors: Visual Arts, Art Education, Art Materials, Alternative Assessment

Wolpa, Beverly A. – School Arts, 1990
Describes a schoolwide parade that was the culminating event of a three-week unit of study into the world of masks by elementary students. Unit emphasized the use of exaggeration, repetition, and symmetry in maskmaking. Provides examples of student work. (DB)
Descriptors: Art Activities, Art Education, Art Materials, Art Products

Basso, Robert – School Arts, 1990
Presents a high school art teacher's views of and experiences with masks. Outlines a maskmaking activity in which students were required to create variations on existing masks. Emphasizes use of experimental materials. Displays examples of student-created masks. (DB)
Descriptors: Art Activities, Art Education, Art Expression, Art Materials

Careau, Steven – Michigan Community College Journal: Research & Practice, 2001
Describes an honors-level fine arts seminar that culminates in the creation of an 'unnamed' object. Stresses direct manipulation of materials leading to works free of conceptual pre-determination. Argues that naming follows creation; leaving a work unnamed allows artists to experience the dynamic of creation. (NB)
Descriptors: Art, Art Activities, Art Education, Art Materials