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Maria Kosma; Nick Erickson; Ashlynn Gremillion – Quest, 2024
The purpose of this phenomenological, qualitative, temporal study was to examine the effects of a semester-long physical theater class on body schema (body posture, awareness, confidence, expression) among eight college students. Individual, semi-structured interviews were conducted twice to qualitatively collect the study's data. Two themes…
Descriptors: College Students, Theater Arts, Kinesiology, Nonverbal Communication
Richardson, John M. – English in Education, 2022
Can traditional live theatre affect the identity formation of teenagers? Drawing upon a six-year, qualitative study of Canadian, independent school live theatre audiences and a review of identity formation and audience studies, this paper offers three findings of interest to high school English teachers. These speak to the need for English…
Descriptors: Self Concept, Theater Arts, Private Schools, Audiences
Chivandikwa, Nehemiah – Research in Drama Education, 2020
"Dawn" is an autobiographical university theatre production based on the narrative of Samanyanga, a University of Zimbabwe undergraduate. The article draws from interview materials, personal communication and observations to theorise the experience of participating in the project. The concepts of "Aesthetics of Existence" and…
Descriptors: Human Body, Theater Arts, Undergraduate Students, Student Attitudes
Gustave Weltsek – International Journal of Designs for Learning, 2021
Z402 Youth Theatre Tour was designed from a critical performative pedagogical positioning (Weltsek, 2019). Here learning emerges from how individuals and communities perform their emergent identities as they cross literal and metaphorical socio-cultural borders. Z402 resulted in a 100% student created new play, parallel workshop, and study guide.…
Descriptors: Pandemics, COVID-19, Theater Arts, Self Concept
Garcia, Betty; Crifasi, Elizabeth; Dessel, Adrienne B. – Journal of Social Work Education, 2019
Creation of a classroom environment safe enough for students to expess their perspectives, hear classmates views and engage in classroom dialogue remains a major challenge in social work teaching. Intergroup dialogue and Theatre of the Oppressed are two approaches that effectively meet these challenges. Intergroup dialogue offers a systematic…
Descriptors: Power Structure, Theater Arts, Teaching Methods, Self Concept
Baer, Pamela; Salisbury, Jenny; Goldstein, Tara – Educational Forum, 2019
In this article, we reflect on the way our verbatim theatre script Out at School was paired with Theatre of the Oppressed work in an undergraduate applied theatre class. Through an engagement with the complex lives of lesbian, gay, bisexual, trans, and queer (LGBTQ) families at school, students moved from a response of what Jenny Salisbury calls…
Descriptors: Empathy, Theater Arts, Teaching Methods, Social Bias
Goodyear, Kathleen McMichael – ProQuest LLC, 2018
This dissertation discusses how engaging in arts-based identity exploration activities can help traditional-age undergraduates (ages 18-24) develop increased self-awareness and cultural sensitivity. The dissertation first explores the participatory inquiry paradigm and the roles of artistic/creative expression in holistic knowledge creation and…
Descriptors: Undergraduate Students, Self Concept, Cultural Awareness, Transformative Learning
Sanders, Linda A. – New Directions for Teaching and Learning, 2013
As a lifelong theater artist and educator, as well as practitioner of a variety of meditative techniques, this author has been keenly interested in the potential impact of sitting meditation and other contemplative practices on acting, vocal, and movement training in college and university performing arts departments. For many years, she wondered…
Descriptors: Higher Education, Masters Programs, Fine Arts, Theater Arts
O'Brien, Catherine; Kroner, Crystal; Placier, Peggy – Journal of Diversity in Higher Education, 2015
This exploratory study examined student responses to an interactive theater performance about the experiences of deaf students in the hearing culture of higher education. The theoretical framework for the study synthesized sociological work by Zerubavel, Foucault, and Bourdieu on construction and maintenance of institutional boundaries separating…
Descriptors: Deafness, Student Attitudes, Theater Arts, Cultural Differences

Elmes, Michael – Management Communication Quarterly, 2003
Makes sense of the performance of Steve Taylor's play, "Ties That Bind," from the perspective of the actors, 14 faculty members, and doctoral students from various universities in the United States by using the interpretive lens of Erving Goffman's Presentation of Self in Everyday Life. (SG)
Descriptors: College Faculty, Epistemology, Graduate Students, Higher Education

Holloway, Debra L.; LeCompte, Margaret D. – Education and Urban Society, 2001
Argues that arts education makes it possible for students to imagine themselves out of their current identities, describing how a middle school theater arts program supported female students' positive identities. Observation and interview data indicated that tools gained in the program transformed girls' attitudes toward education and other…
Descriptors: Art Education, Females, Gender Issues, Middle School Students
McCoy, Leah P., Ed. – Online Submission, 2012
This document presents the proceedings of the 17th Annual Research Forum held June 29, 2012, at Wake Forest University in Winston-Salem, North Carolina. Included herein are the following 25 action research papers: (1) "Reading and Writing": A Study Comparing the Strengths of Peer Review and Visible Author Writing Strategies (Elizabeth Behar); (2)…
Descriptors: Reading Writing Relationship, Peer Evaluation, Writing Strategies, Active Learning