Publication Date
In 2025 | 0 |
Since 2024 | 0 |
Since 2021 (last 5 years) | 0 |
Since 2016 (last 10 years) | 0 |
Since 2006 (last 20 years) | 3 |
Descriptor
Foreign Countries | 3 |
Music Education | 3 |
Musical Composition | 3 |
Student Attitudes | 3 |
Music | 2 |
Music Teachers | 2 |
Musicians | 2 |
Teaching Methods | 2 |
Adolescents | 1 |
Case Studies | 1 |
College Students | 1 |
More ▼ |
Author
Bautista, Alfredo | 1 |
Brizuela, Barbara M. | 1 |
Echeverria, Ma Puy Perez | 1 |
Hallam, Susan | 1 |
Marin, Cristina | 1 |
Perez Echeverria, Ma del Puy | 1 |
Pozo, J. Ignacio | 1 |
Rusinek, Gabriel | 1 |
Publication Type
Journal Articles | 3 |
Reports - Research | 2 |
Reports - Descriptive | 1 |
Education Level
Higher Education | 1 |
Secondary Education | 1 |
Audience
Location
Spain | 3 |
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating
Marin, Cristina; Echeverria, Ma Puy Perez; Hallam, Susan – British Journal of Music Education, 2012
Musical scores constitute a key element in the development of expertise in musicians from western tonal traditions, since they act as a mediator between the performer and the music itself. Our aim was to study the role of musical scores in instrumental performance practice by analysing the process of learning a new piece of music, as well as the…
Descriptors: Expertise, Music Education, Student Attitudes, Musicians
Bautista, Alfredo; Perez Echeverria, Ma del Puy; Pozo, J. Ignacio; Brizuela, Barbara M. – Journal of Research in Music Education, 2009
Musical scores are some of the most important learning tools for musicians' acquisition of musical knowledge. However, despite their educational relevance, very little is known about how music students "conceive" of these cultural external representations. Given that these conceptions might act as mediators of students' learning…
Descriptors: Music Education, Music, Relevance (Education), Musicians
Rusinek, Gabriel – Music Education Research, 2007
Although music was established as a compulsory subject in Spain by the 1990 constructivist reform, the 2002 counter-reform restricted it to lists of concepts, in a renewed encyclopaedist model for secondary schools that ignored authentic musical procedures, such as performing or composing. Contemporary adolescents, accustomed to the transmission…
Descriptors: Foreign Countries, Teaching Methods, Educational Change, Music