Educators hope that the impact teaching and curriculum have on students extends far beyond the classroom, making practical connections to daily life. Powerful myths about where art happens, who participates in the art world, and the communities that judge art, however, can cause feelings of exclusion, where even formally trained artists can feel…

The environment is comprised of multiple dimensions, including natural, social, and built surroundings that people experience locally. Taken as a whole these local environs make up the larger ecological conditions experienced globally. Fostering a critical awareness of nature is the first step in supporting ecological or social change. Art…

Art reveals to us the face of man and the places where that face resides. How different cultures use the senses of place and environment, both natural and man-made, is considered. (IS)

Describes spatial, pedagogical, and psychological dimensions of the pottery studio as an art learning environment. Contends that the art learning environment, at its deeper levels, is determined by the philosophic meanings and underlying attitudes of student and instructor as conveyed in their speech and writing. (RM)

Compares early childhood classrooms in Italy and the United States. Concludes that art educators must create environments that support children's aesthetic and artistic development, incorporate aspects from the world into the life of classrooms, and critically examine classroom learning spaces. (DAJ)

Traces the development of an expanding definition and understanding of environmental-art education. Suggest new ideas and considerations for the future. Offers three lessons that incorporate different aspects of form and content: (1) the natural environment; (2) the built environment; and (3) the social environment. (CMK)

Though the world of schooling may be in trouble, the world of art is booming, and though few of the benefits have yet percolated through the schoolhouse walls, there are hopeful signs and, indeed, several genuine innovations, such as Advanced Placement and CEMREL's Aesthetic Education Program. (Author/SJL)

Summarizes the lives and pursuits of four U.S. artists: Winslow Homer, John Frederick Peto, George Bellows, and Joan Mitchell. Explains the concepts apparent in the four works of art and shows how the artists created these works through expressing their perceptions of the world around them. Lists questions for further exploration. (CMK)

Contends that, in order to relate to space, an art educator must emphasize the relationship of the individual to place and also the interplay of place and group narrative. Indicates what is important about grounding inquiry and art making in the local environment for students of all ages. (CMK)

Describes arts-based, anchored instruction at Fair Arts IMPACT Elementary School (Columbus, Ohio), a five-week program centered around "Sunday Afternoon on the Island of La Grande Jatte" (Georges Seurat). Addresses unit objectives such as understanding social climate with respect to race/gender discrimination and examining why people…

Believes that students' learning in art should take the form of an interconnected cognitive lattice structure composed of varied experiences throughout their art-education experience. Maintains that students should encounter art educators with multiple teaching strategies and perspectives enabling students to understand art's interconnected…

Explores the evolution of postmodernism and the many differences between modernism and postmodernism. Describes two strategies (authentic instruction and discipline-based instruction) for structuring a postmodern curriculum. Highlights an activity that helped fifth-grade students learn about postmodern art and real-world issues by studying the…