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Fallis, Todd L. – Teaching Music, 2001
Discusses the process of introducing the trombone to beginning students and addresses the issue of warming-up. Provides resources for beginning trombone methods, band methods, and daily warm-up studies. Includes resources for scale studies and etudes for beginning to intermediate trombone players. (CMK)
Descriptors: Brass Instruments, Educational Practices, Educational Strategies, Elementary Education

Klotman, Robert H. – Music Educators Journal, 2000
Discusses the reasons to teach stringed instruments: (1) strings can be adapted to the size of the child; (2) home performance material resource availability; (3) stringed music skills contribute to developing basic skills; and (4) the importance of interaction in music. (CMK)
Descriptors: Aesthetic Values, Childhood Needs, Educational Benefits, Elementary Secondary Education
Johnston, Dennis A. – Teaching Music, 1999
Stresses the importance for wind instrument players to have the skill called tonguing that is the ability to clearly articulate notes. Provides tips and guidelines for beginning and intermediate wind players to develop different types of tonguing and a learning sequence that offers students an introduction to multiple tonguing. (CMK)
Descriptors: Basic Skills, Elementary Secondary Education, Guidelines, Learning Activities

Carlin, Joi – Bulletin of the Council for Research in Music Education, 1997
Explores the factors that may influence the decisions made by students aged 9-15 years old as they chose musical sounds and constructed compositions. Indicates that age, formal music training, and aesthetic response to musical sounds are the primary factors affecting specific choices made in the compositional process. (CMK)
Descriptors: Aesthetic Values, Age, Decision Making, Educational Research
McCall, Jim; And Others – 1971
This guide includes a description of a Junior Orchestra class, part of the Quinmester Program. Sections in the guide are: a course description; enrollment guidelines; course of study objectives (which includes musicianship and performance requirement suggestions); content (discussing logistics, tone, pitch, articulation, dynamics and notation);…
Descriptors: Auditory Perception, Behavioral Objectives, Course Content, Curriculum Guides
Mickolajak, Mary T. – Teaching Music, 2003
Describes a unit used with sixth-grade students focusing on jazz and blues that taught improvisation. Discusses the different levels of improvisation that were used, providing the beginning activities, and describes activities that focus on the third level of improvisation called product-oriented improvisation. (CMK)
Descriptors: Educational Strategies, Grade 6, Improvisation, Jazz
New York State Education Dept., Albany. Bureau of General Education Curriculum Development. – 1976
The guide contains suggestions for the selection, repair, and care of woodwind instruments and equipment; goals and procedures for beginning, intermediate, and advanced levels of study; and specific annotated reference lists. The book is arranged into five major sections by type of instrument: flute, oboe, clarinet, saxophone and bassoon. Each…
Descriptors: Bands (Music), Bibliographies, Elementary Secondary Education, Music Education
Baker, Melvin – 1971
A course in introduction to music emphasizing modes and forms is presented. The approach used is a laboratory approach in which pupils will develop skill in playing wood-wind instruments, sing, listen to, read and compose music with emphasis on identification of elementary concepts of mode and form. Course objectives include: (1) pupil will select…
Descriptors: Auditory Perception, Behavioral Objectives, Course Content, Course Objectives
Bennitt, Barth; Thum, Marie-Jo – 1971
A course which is an introduction to music emphasizing modes and forms is outlined. Objectives include: (1) The student will select the title of a familiar melody from a list provided; (2) The student will identify by ear the performing medium from the following choices: violin, voice, piano, guitar, clarinet, trombone, organ, string bass,…
Descriptors: Auditory Perception, Cognitive Objectives, Course Content, Course Objectives
Ramsey, Marjorie E., Ed. – 1984
Learning related to music is considered a developmental process in this collection of five articles on music education for young learners. The first article considers music in terms of the educational process and the nature of art. The importance of musical concepts and structures to understanding music is emphasized, as is the role of music in…
Descriptors: Concept Teaching, Developmental Continuity, Developmental Stages, Elementary Education

Ely, Mark C. – Music Educators Journal, 1993
Discusses the characteristics of a good vibrato in musical performance. Reviews four types of vibrato used by woodwind performers: (1) diaphragmatic/abdominal vibrato; (2) jaw vibrato; (3) throat vibrato; and (4) lip vibrato. Includes two charts with suggestions for teaching diaphragmatic vibrato and jaw vibrato. (CFR)
Descriptors: Bands (Music), Class Activities, Elementary Secondary Education, Individual Instruction

Frederickson, Karen – General Music Today, 1999
Urges music educators to use activity-based instruction as opposed to more traditional methods. Provides two lesson plans for middle school students where they learn about musical instruments in an integrated science and music environment that promotes concept formation and the exploration of the role of culture in music-making. (CMK)
Descriptors: Concept Formation, Conventional Instruction, Cultural Awareness, Experiential Learning
McCall, Jim; And Others – 1971
A course in performaning organization in which students increase performance skills individually and in ensemble with emphasis on stylistic characteristics of the music studied is presented. Course objectives include: (1) The student will recognize the major and minor modes aurally and by notation; (2) The student will identify aurally and by…
Descriptors: Auditory Perception, Behavioral Objectives, Course Content, Course Objectives
Biringer, Frank A., Jr.; Ronci, Sal – 1971
A course in introduction to music emphasizing modes and forms is presented. The approach used is a laboratory one in which pupils will develop skill in playing string instruments, sing, listen to, read and compose music with emphasis on identification of elementary concepts of mode and form. Course objectives include: (1) The pupil will select the…
Descriptors: Auditory Perception, Behavioral Objectives, Concept Formation, Course Objectives
Ryan, Philip – 1971
A course in music which emphasizes harmony is presented. The approach used is a laboratory one in which pupils will develop skill in playing orchestral string instruments, sing, listen to, read and compose music with emphasis on elementary concepts of harmony. Course objectives include: (1) The student will select the title of a familiar melody…
Descriptors: Auditory Perception, Behavioral Objectives, Course Content, Course Objectives