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Showing 61 to 73 of 73 results Save | Export
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Frederickson, Karen – General Music Today, 1999
Urges music educators to use activity-based instruction as opposed to more traditional methods. Provides two lesson plans for middle school students where they learn about musical instruments in an integrated science and music environment that promotes concept formation and the exploration of the role of culture in music-making. (CMK)
Descriptors: Concept Formation, Conventional Instruction, Cultural Awareness, Experiential Learning
Biringer, Frank A., Jr.; Ronci, Sal – 1971
A course in introduction to music emphasizing modes and forms is presented. The approach used is a laboratory one in which pupils will develop skill in playing string instruments, sing, listen to, read and compose music with emphasis on identification of elementary concepts of mode and form. Course objectives include: (1) The pupil will select the…
Descriptors: Auditory Perception, Behavioral Objectives, Concept Formation, Course Objectives
Oregon State Dept. of Education, Salem. – 1990
Oregon's common curriculum goals for music education, an area of study that addresses the components of valuing music, developing music literacy, performing music, and creating music are presented. An overall goal for each one of these four strands is established, and then the content specific knowledge and skills that students should possess by…
Descriptors: Curriculum Development, Elementary Secondary Education, Minimum Competencies, Music Activities
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Price, Harry E.; Blanton, Frank; Turner Parrish, Regena – Update: Applications of Research in Music Education, 1998
Compares the effects of fundamental exercises and music excerpts approaches on sightreading and performance proficiency of 58 students in a symphonic and concert band at a suburban high school. Finds that the students using music excerpts were no weaker in sightreading ability, had a higher performance achievement, and indicated more positive…
Descriptors: Applied Music, Bands (Music), Drills (Practice), Educational Strategies
Holland, Simon – 1987
The work described here forms part of a project using models of musical ideas within an artificial intelligence and education framework whose goal is to encourage and facilitate music composition by novices. Formal knowledge of the domain (popular music) is too incomplete and fragmented to support a traditional expert-based tutor for precisely…
Descriptors: Artificial Intelligence, Cognitive Processes, Computer Assisted Instruction, Computer Uses in Education
New York State Education Dept., Albany. Bureau of Secondary Curriculum Development. – 1972
In this curriculum guide a flexible music program is offered that provides a variety of interesting and challenging courses for pupils in grades 9 through 12. The objective is to present a musical education program to meet the wide range of needs of different pupils many of whom will use music as a hobby or to enrich their cultural background.…
Descriptors: Affective Objectives, Applied Music, Bands (Music), Cognitive Objectives
Holland, Simon – 1986
This paper forms part of a preliminary survey for work on the application of artificial intelligence theories and techniques to the learning of music composition skills. The paper deals with present day applications of computers to the teaching of music and speculations about how artificial intelligence might be used to foster music composition in…
Descriptors: Artificial Intelligence, Computer Assisted Instruction, Computer Science, Computer Uses in Education
Music Educators National Conference, Washington, DC. Contemporary Music Project. – 1965
This seminar report prepared by representatives of various disciplines provides general information about the Contemporary Music Project for Creativity in Music Education. Background in the development of the Project is given and the organization of the evaluative seminar is described. Recommendations of the three participating groups center on…
Descriptors: Conference Reports, Curriculum Development, Educational Improvement, Educational Philosophy
New York State Education Dept., Albany. Bureau of Curriculum Development. – 1985
This syllabus will assist administrators and teachers in New York state in helping students meet the Regents Action Plan requirement for one year of high school music. Each student must acquire the knowledge, understanding, and appreciation of the artistic, cultural, and intellectual accomplishments of civilization and develop the skills to…
Descriptors: Applied Music, Basic Skills, Course Content, Course Descriptions
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Wiggins, Jacqueline H. – Journal of Research in Music Education, 1994
Presents findings of a qualitative study of musical learning processes. Findings are reported in terms of the nature of strategies used by children as they work with peers to solve compositional problems. Also finds that successful students moved back and forth from holistic approaches to segmented activities. (CFR)
Descriptors: Class Activities, Class Organization, Cooperative Learning, Educational Strategies
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Berkley, Rebecca – British Journal of Music Education, 2004
This article reports on a school-based research project into teaching composing at GCSE, setting this alongside a review of the literature. It suggests that research into cognition in composing in school students and teaching composing within a school context may be synthesised by understanding composing as problem solving. Composing is described…
Descriptors: Problem Solving, Musical Composition, Music Education, Research Projects
Philadelphia School District, PA. Office of Curriculum and Instruction. – 1980
This booklet identifies major competencies for each course offered in the secondary music education program in the Philadelphia school system. Music is seen to be a mode of expression in responding to and interpreting life and nature. It promotes the development of aesthetic judgment. The booklet outlines up to eight competencies for each of nine…
Descriptors: Aesthetic Education, Behavioral Objectives, Competency Based Education, Course Objectives
Massachusetts State Dept. of Education, Boston. Bureau of Curriculum Services. – 1973
The guide presents learning objectives, course outlines, and resource lists for music courses in grades seven through 12. There are three major sections. Section one outlines required music programs and instrumental and choral programs for junior high students. The major objective is to orient students aesthetically to music and to develop skills…
Descriptors: Aesthetic Education, Affective Objectives, Bands (Music), Choral Music
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