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Showing 106 to 120 of 183 results Save | Export
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Vakeva, Lauri – British Journal of Music Education, 2010
In this paper, I suggest that it is perhaps time to consider the pedagogy of popular music in more extensive terms than conventional rock band practices have to offer. One direction in which this might lead is the expansion of the informal pedagogy based on a "garage band" model to encompass various modes of digital artistry wherever this artistry…
Descriptors: Music Education, Informal Education, Music, Computer Software
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Moats, Stacie; Poxon, Stephanie – Social Education, 2011
It seems each generation of young people finds new ways to express life's complex emotions and experiences through music. As a favored outlet for self-expression, music also provides future generations with a fascinating historical record. Sound recordings and sheet music of once popular songs offer unique opportunities for students to analyze…
Descriptors: Music, Primary Sources, Teaching Methods, History Instruction
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Carless, David; Douglas, Kitrina – British Journal of Guidance & Counselling, 2011
In our research and educational practice we sometimes use songwriting as an alternative way to acquire and communicate insights about the social world. While this approach differs markedly from scientific ways of knowing, it offers valuable and perhaps unique opportunities, in keeping with turns towards narrative/performative methodologies in…
Descriptors: Singing, Musical Composition, Communication (Thought Transfer), Social Environment
Randall, Mac – Teaching Music, 2009
Repertoire selection is a balancing act on many levels, but the essential balance is that between education and emotion. If a given piece doesn't provide some element that can be used for the purpose of instruction, it's probably not worth considering. And yet it's also necessary to consider the emotional impact of a piece to judge it fully. This…
Descriptors: Popular Culture, Music Education, Musical Composition, Emotional Response
Strouse, Lewis H. – Teaching Music, 2009
Before rehearsals begin, conductors need to thoroughly study the score. What elements go into a comprehensive score preparation? To learn music scores efficiently, having a detailed and systematic study method helps. The author has developed a score preparation guide that works for directors of bands, choruses, and orchestras, even when there's…
Descriptors: Music Education, Music, National Standards, Musicians
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Pratt, Scott L. – Journal of Aesthetic Education, 2009
There is a long history of debate over what opera is. Since it's more or less formal beginning in the sixteenth century as a reconstruction of ancient drama, opera as an art form has been controversial. The received understanding--emphasized by the genre's founders and in periodic efforts at reforming the standards of composition and…
Descriptors: Drama, Opera, Music, Geometric Concepts
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Williams, Lindsey R. – Contributions to Music Education, 2009
The purpose of this study was to investigate the possible effects of choral voice-part training/experience and music complexity on focus of attention to melody or harmony. Participants (N = 150) were members of auditioned university choral ensembles divided by voice-part (sopranos, n = 44; altos, n = 33; tenors, n = 35; basses, n = 38). The music…
Descriptors: Music Education, Music, Attention, Attention Control
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Napoles, Jessica – Journal of Research in Music Education, 2009
The purpose of this study was to determine whether viewing a musical score while listening (as opposed to not viewing the score) would affect musicians' ratings of choral performance excerpts. University musicians (N = 240) listened to four excerpts of choral music (from Vivaldi's "Gloria") and rated them on a 10-point Likert-type scale for…
Descriptors: Singing, Likert Scales, Musical Composition, Statistical Analysis
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Watts, Sarah H.; Campbell, Patricia Shehan – Journal of Research in Music Education, 2008
American composer Ruth Crawford Seeger grew into the role of music educator as a consummate musician with a deep interest in connecting children to their American musical heritage. This article examines the contributions of Ruth Crawford Seeger to American music education, principally through examination of primary and secondary sources and review…
Descriptors: Music Education, Musical Composition, Musicians, Music Teachers
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Ilari, Beatriz; Sundara, Megha – Journal of Research in Music Education, 2009
This study investigated infant listening preferences for two versions of an unfamiliar Chinese children's song: unaccompanied (i.e., voice only) and accompanied (i.e., voice and instrumental accompaniment). Three groups of 5-, 8- and 11-month-old infants were tested using the Headturn Preference Procedure. A general linear model analysis of…
Descriptors: Infants, Music Education, Early Childhood Education, Musical Composition
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Riley, Patricia – Research and Issues in Music Education, 2008
The purpose of this research was to make observations and comparisons between original music composed by Mexican children, and traditional Mexican songs. Data were obtained through notated music compositions created by the children, and through videotaped interviews during which the children performed their compositions, talked about both their…
Descriptors: Foreign Countries, Music, Musical Composition, Children
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Marade, Angelo A.; Gibbons, Jeffrey A.; Brinthaupt, Thomas M. – Journal of Creative Behavior, 2007
Creativity involves generating novel concepts and products that are valued by the creator as well as by the public. In this paper, we argue that risk-taking in songwriting increases the likelihood of any individual's product being valued as creative. By reviewing the case histories of several successful songwriters, we show that heightened…
Descriptors: Singing, Musical Composition, Creativity, Risk
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Nelson, Sara D.; Norton-Meier, Lori – Journal for Learning through the Arts, 2009
This article explores the use of lyric writing in elementary science. It details an exploratory project in which elementary students and a professional musician collaborated to write and record lyrics at the conclusion of an inquiry-based science unit. What we found was that lyric writing when used as a summary reflection activity in science…
Descriptors: Singing, Elementary School Science, Musicians, Collaborative Writing
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Spencer, Piers – British Journal of Music Education, 2008
Piers Spencer and William Salaman edited the" BJME" between 1998 and 2002. During this period, a number of articles they published gave positive accounts of developments in instrumental teaching and learning, composing and creative music-making, and the increasing role of technology. Less happy findings emerged from investigations into…
Descriptors: Music Education, Musical Instruments, Music Activities, Musical Composition
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Bell, Adam Patrick – International Journal of Education & the Arts, 2008
As a support worker for adolescents with special needs, I have found that they have few opportunities to play music. While previous research emphasizes that students with special needs can enjoy music in multiple capacities, little has been written about their ability to play, improvise, or compose. I employed a qualitative approach for this case…
Descriptors: Music Education, Music Activities, Musical Composition, Teaching Methods
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