Anthony Johnson Showalter (c. 1853-1924) was a music educator, gospel composer, publisher, and considered a pioneer in gospel music and education in the late nineteenth century and early twentieth century. Showalter is notably mentioned in numerous texts and studies related to gospel music; however, little data has been collected regarding the…

Work-life balance has become a buzzword in many corporate settings. This study situates itself at a higher education institute in Melbourne (Australia) where African music (singing and drumming) was used as a lever for faculty staff to "break from work" and "learn about a new music and culture". Drawing on email communication,…

The author, John Whitener, traveled to Mongolia, "the land of blue sky," in the summer of 2013 and again in summer of 2016. Mongolia is a land of awe-inspiring geography, similar in many respects to the wilds of Alaska. Approximately half the country's population has migrated to Ulaan-Baatar and other urban areas because of harsh winters…

This article presents results from a large-scale Norwegian study that examines the quality of early childhood education and care, using the research tool ITERS-R. Although ITERS-R consists of 39 items, this article focuses solely on results within music education in Item 18. Music and movement. According to ITERS-R, results from 206 toddler day…

The subject of the inseparability of music and dance in African artistic experiences has preoccupied scholars and researchers in the field of ethnomusicology, ethnochoreology, and musicology. Commonly, music is conceptualized as an accompaniment to dance. Moreover, the existing literary perspectives frame the inseparability of music and dance in…

This article highlights one music educator's belief that it has become incumbent upon music teachers to expand their knowledge and understanding of global musical practices, traditional instruments, and cultural traditions, and they need to pass this knowledge on to their students. Experiences traveling and attempting to experience the music from…

The present study takes an unconventional look at the challenges of bilingualism. High school students' level of the native Kalmyk language is viewed in connection to creative musical abilities (instrumental, vocal, choreographic) in the field of Kalmyk folk musical art. The vector of research is determined by the revitalization of the native…

This study was designed to explore differences between instrumental music teachers' comfort and self-perceived competence ratings based on their undergraduate choral methods curricular background and in-service choral teaching experiences, using a 7-point Likert scale, on 15 specific choral teaching skills presented through a researcher-developed…

The development of musicianship is a fundamental learning outcome for music students. The purpose of this study was to examine the early socialization experiences of preservice music teachers, as well as their opinions about musicianship. A total of 138 undergraduate music education students completed a three-part online questionnaire. The large…

This study aims to understand how an indigenous teacher passed on Paiwanese culture during music teaching at an elementary school located in one of Paiwan tribes in southern Taiwan. A qualitative case study was adopted to portray the teaching context and phenomena. The study participants were an indigenous teacher and 18 sixth-grade indigenous…

Recent curriculum policy changes in British Columbia (BC) require that educators in all subject areas--including music--embed local Indigenous knowledge, pedagogies, and worldviews in their classes. Yet facilitating such decolonizing cross-cultural music education activities requires knowledge that music educators may not currently possess. We use…

This article describes a sequential approach to improvisation teaching that can be used with students at various age and ability levels by any educator, regardless of improvisation experience. The 2014 National Core Music Standards include improvisation as a central component in musical learning and promote instructional approaches that are…

Purpose: Music class should function as a class that triggers joy and a platform for students to express their feelings. Based on observation, there are music teachers who teach singing and the playing of musical instruments based traditionally on a teacher-centered approach. This has caused music classes to become passive and dull, with unexcited…

The present study employed population-level educational records from 4 public school student cohorts (n = 112,916; Grades 7-12) in British Columbia (Canada) to examine relationships between music education (any participation, type of participation, music achievement, and engagement level) and mathematics and science achievement in Grade 10 as well…

A body of research on 'place' in various disciplines indicates that the concept stands at the nexus of time, space, and experience. Acknowledging also that place represents a meaningful learning context, this study examines its pedagogical underpinning within the framework of community music making. Three cases of community music making in Japan…