COVID-19 forced extreme measures in cities worldwide, including school shutdowns and limited social contact. Semi-structured interviews with 14 Israeli music teachers were conducted to expose the challenges of teaching musical instruments and vocal during social distancing, focussing on struggles and technical challenges, teacher-student…

Lowel Mason highlights the importance of integrating music learning into the curriculum alongside other fundamental skills such as reading, promoting his belief in the transformative power of music education and its impact on child development. Mason stated, "Children must be taught music as they are taught to read" (Pemberton, 1992).…

As a response to the ban on singing and playing woodwind and brass instruments, and with the heightened exposure of Auslan interpreters in the media due to COVID reporting, many music teachers considered Auslan choirs to be a safe singing-replacement activity for end-of-year performances. Auslan holds deep cultural significance to the Deaf…

This article explores the life histories of virtuoso classical music soloists with particular reference to conservatoire provision. Detailed life-history interviews were conducted with six virtuosi between May 2018 and January 2019. These participants were three singers, two cellists and a concert pianist. Resultant qualitative data were stored in…

The aim of this study is to determine the social skill levels of high school students according to their participation in musical activities. Social skills are important in all stages of an individual's development, but due to physical and mental changes in high school years when adolescence is intensely experienced, the individual may have…

Korean folk music has been rarely included in the Western music curriculum due to limited materials for music teachers to use. This article introduces "Ganggangsullae", a prominent Korean folk tradition (called a "folk play" by Koreans) that incorporates singing and dancing, and discusses its historical background and the…

Secondary general music is hard to define. For some, this denotes an accelerated version of elementary general music or a decelerated version of a college music appreciation course. Others view this as any nontraditional ensemble geared for middle or high school students, such as guitar, keyboard, or steel pans. Still, for others, secondary…

Given its importance in children's development and learning, researchers have rigorously studied play, and many teachers have used it as a classroom tool. Music researchers have observed that music regularly accompanies children's play because music is part of their culture, and "playing with music" is the most natural form of expression…

In order to maximize children's learning environment, this article describes how classroom teachers may introduce different types of music into the daily classroom schedule; current findings indicate music contributes to students' learning. This discussion identifies several different kinds of music and further describes how classroom teachers and…

The Norwegian municipal school of music and performing arts has diverse tasks it must manage; the school not only intends to offer its students opportunities to specialise, but it also aims to facilitate social inclusion and be a school 'for everyone'. Handling these two seemingly opposing tasks requires a great deal from its staff. This article…

This study was carried out to determine the opinions of preservice music teachers on the processing and efficiency of Orchestra and Chamber Music courses which are based on collective playing and singing, among the online music teaching undergraduate courses conducted in the distance education process that started in Turkey in March 2020 due to…

Our study explored how adolescents' experiences and musical preferences might relate to musical identity, and the likelihood of engaging in musical activities as adults. Participants were 170 first-year university students, both music majors and non-music majors. A questionnaire collected participants' responses regarding beliefs about music, as…

Folkloric music and dance in Bulgaria are performed as has been for generations, but also present are innovative hybrids in text, form, and instrumentation. Historically, traditional musical activities were divided by gender with singing a priority for women and playing instruments for men. This has been rapidly changing as in so many countries,…

During music reading, performers create expectations of the upcoming music. When these expectations are violated due to changes in the notation, performers have to adjust their reading and adapt their motor responses to match this new information. In this study, we examine how selected background, outcome, and process measures reflect the…

The present study investigated the role of music education in early childhood education and care (ECEC) in relation to the daily activities of children ages one to three, i.e. "toddlers" (N = 918) in Finnish ECEC units (N = 327). A total of 23,142 random observations were conducted. The observations focused on children's involvement,…