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Cornell, Helen Loftin – Music Educators Journal, 1979
This listing includes currently available unison and two-part secular vocal music by American women composers, suitable for the primary and middle school level. Citations include information regarding collection, arrangement, publisher, accompaniment, difficulty, vocal range, and special effects that may be incorporated in the composition.…
Descriptors: Annotated Bibliographies, Elementary Education, Females, Musical Composition

Crawford, Richard – Journal Of Research In Music Education, 1973
Article restricts itself to a survey of Billings' own comments about the music he composed. (Author)
Descriptors: Choral Music, Music, Music Education, Music Teachers
Costas, Carlos Jose – Cuadernos Hispanoamericanos, 1974
Descriptors: Fine Arts, Music, Music Appreciation, Musical Composition

Pleasants, Henry – Music Educators Journal, 1973
Compares the singing of popular music, as performed by Frank Sinatra and other current singers, with Baroque vocal practices. (Author/RK)
Descriptors: Audiodisc Recordings, Baroque Literature, Jazz, Music Education

Johnson, Robert D. – Music Educators Journal, 1972
Presents an analysis of barbershop singing as a method of stimulating students to learn about music and to enjoy singing. It suggests a list of songs prepared by the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America. (Author/RK)
Descriptors: Music Appreciation, Music Teachers, Music Techniques, Musical Composition

Kennedy, Raymond F. – Music Educators Journal, 1972
Article examines the music and musical instruments of an area commonly referred to as the South Sea Isles. Author also points out the musical function and cultural meaning of specific musical styles. (RK)
Descriptors: Cultural Interrelationships, Cultural Pluralism, Culture Contact, Music Techniques
Whitcomb, Rachel – Teaching Music, 2003
Describes how to teach elementary students about vocal improvisation using the Kodaly-based approach. Discusses the three steps involved in this technique: (1) develop familiar singing patterns; (2) use a question and answer format; and (3) begin improvisation. Includes examples of solfege patterns and a vocal question and answer. (CMK)
Descriptors: Creativity, Educational Strategies, Elementary Education, Improvisation

Boardman, Susan; Alt, David – Music Educators Journal, 1992
Discusses the selection of material for vocal performances by high school students. Describes adolescent voices as young with little vocal technique and only partially developed or unused register. Includes considerations of breath management, tessitura, energy, subject matter, and language. Provides a list of songs meeting appropriate…
Descriptors: Adolescents, Difficulty Level, Music Education, Musical Composition
Leenman, Tracy E. – Teaching Music, 1996
Covers a variety of strategies for creating a unique and identifiable choral sound. Provides specific instructions for developing singing in unison and recommends a standing arrangement of soprano, alto, tenor, and bass quartets. Provides other tips for instrumentation, sight reading, and quality rehearsal time. (MJP)
Descriptors: Applied Music, Choral Music, Educational Quality, Instructional Improvement
Haack, Paul A. – 1981
An overview of early country school music and music education in the Mountain Plains region of America provides impresssions gained from texts, journals, official records, and personal interviews. Music is portrayed as a socializer to engender community spirit, an enhancement of patriotism, a means to enculturate to the "American way of…
Descriptors: Acculturation, Educational History, Elementary Education, Music
McMullen, Patrick T.; Bauman, Daniel J. – 1975
Opinions of New York state public school music teachers were sought to (1) obtain an initial profile of the knowledge and skills needed and actually used by beginning music teachers in the areas of aural skills, written skills, combined aural and written skills, and theoretical knowledge of musical types; and (2) determine if this profile of…
Descriptors: Applied Music, Aural Learning, Choral Music, Listening Comprehension

Addo, Akosua Obuo – Bulletin of the Council for Research in Music Education, 1996
Delineates the cultural norms evident in the performance and practice of Ghanaian children's play songs. Describes the similarities and differences between these and those of adult Ghanaian music culture. Discusses the social significance of the songs and includes several tables showing musical notation. (MJP)
Descriptors: African Culture, Childrens Games, Cognitive Development, Cultural Context
Thomas, Janice – Teaching Music, 1995
Describes the development and first-year implementation of a high school madrigal program. The effort has been a resounding success enjoying popular support from the community and providing a creative showcase for the students. Relates those works most popular with audiences and students and includes a list of madrigal resources. (MJP)
Descriptors: Applied Music, Choral Music, Class Activities, Concerts
Massachusetts State Dept. of Education, Boston. Bureau of Curriculum Services. – 1973
The guide presents learning objectives, course outlines, and resource lists for music courses in grades seven through 12. There are three major sections. Section one outlines required music programs and instrumental and choral programs for junior high students. The major objective is to orient students aesthetically to music and to develop skills…
Descriptors: Aesthetic Education, Affective Objectives, Bands (Music), Choral Music