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Showing 1 to 15 of 26 results Save | Export
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JinJiang Hou; Weerayut Seekhunlio – International Journal of Education and Literacy Studies, 2023
The study focuses on the concept composition and literacy transmission of the clarinet folk song "Pamir Zhiyin," with a particular focus on the intricate relationship between literacy, education, and cultural transmission within the realm of music. Furthermore, there is a profound connection to the historical development of clarinet…
Descriptors: Folk Culture, Singing, Music Education, Musical Instruments
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Cao, Yanyan; Boonsrianun, Pitsanu – International Journal of Curriculum and Instruction, 2023
This study used a qualitative and descriptive methodology to classify and examine the large amount of information that was collected through field research. The research objective was to examine the history and development of Heluo Dagu in Henan Province, China. Field investigation, a questionnaire survey, literature research, a case analysis, and…
Descriptors: Geographic Regions, Music, Asian Culture, History
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Cicco, Ian – Journal of Historical Research in Music Education, 2022
The purpose of this study was to examine the sociocultural roots of folk songs from the perspective of renowned folklorist Henry Glassie. Dr. Henry Glassie holds the rank of Professor Emeritus at Indiana University, where he previously served on the faculty for the Department of Folklore and Ethnomusicology. Primary sources included Glassie's…
Descriptors: Social Influences, Cultural Influences, Folk Culture, Music
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Colón-León, Vimari – General Music Today, 2021
Bomba is an emblematic Puerto Rican musical genre that emerged 400 years ago from the colonial plantations where West African slaves and their descendants worked. It remains one of the most popular forms of folk music on the island and serves as significant evidence of its rich African heritage. This article explores the main components of bomba…
Descriptors: World History, Slavery, Foreign Countries, Folk Culture
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Lichao, Liu; Jirajarupat, Phakamas – International Journal of Curriculum and Instruction, 2023
This study uses a qualitative method and the theory of cultural ecology. The objective was to study the history and development of intangible dance in the Grand Canal section of Henan, China. through text collection, interview, observation, and field investigation. This study's groups were divided into four groups. The first group had 8 people.…
Descriptors: Dance, Dance Education, Rural Areas, Asian Culture
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Wesley Brewer – Music Educators Journal, 2023
Wind band has a deep and long-lasting connection to folk-song sources. Societal expectations around music choices and sources are changing, including calls to diversify repertoire and eliminate traditional songs that include offensive language and stereotypes. Concerns about music usage in relation to cultural appropriation are also being…
Descriptors: Music Education, Equal Education, Musical Instruments, Music Activities
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Yuan Li – Interactive Learning Environments, 2024
The aim of this paper is to determine both the influence of musical compositions' genres on the students' musical literacy formed using artificial intelligence technologies and the musical literacy skills among music and non-music major students. Accordingly, the method of analysis was used to identify the most common musical genres in the Chinese…
Descriptors: Music Education, Majors (Students), Nonmajors, Folk Culture
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Tang, Jing; Sornyai, Phiphat – International Journal of Education and Literacy Studies, 2023
Baima Tibetan folk songs are an integral part of the Baima Tibetan music culture. They are performed in diverse styles, including solo, duet, lead singing, round singing, and chorus. The objective of the study was to explore the significance of Baima Tibetan folk songs as a resource for literacy education in Chinese music history. By engaging with…
Descriptors: Music, Folk Culture, Ethnic Groups, Singing
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Wabyona, Milton – Journal of Historical Research in Music Education, 2023
Zadok Adolu-Otojoka (b. 1932) is one of the prominent music educators and professional performers in the recent history of arts education in East Africa. A Ugandan by nationality, Adolu-Otojoka has served in different professional capacities as music educator, opera singer, folk musician, dancer, composer, and education/culture administrator, at…
Descriptors: Music Education, Foreign Countries, Oral History, African Culture
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Jordhus-Lier, Anne; Nielsen, Siw Graabraek; Karlsen, Sidsel – Music Education Research, 2021
This article presents the results of a survey among rectors of schools of music and performing arts in Norway. The aim was to map the schools' offerings in terms of musical genres and related instruments and ensembles, and to determine how the availability of different genres was distributed demographically and geographically. A questionnaire…
Descriptors: Foreign Countries, Music Education, Extracurricular Activities, Theater Arts
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Gülle, Alican; Akay, Cenk; Uzun, Nezaket Bilge – International Journal of Music Education, 2021
Kodály-inspired pedagogy enables students to participate effectively in a music course by engaging in active musical interactions with folk songs and melodies. The purpose of this study was to explore the effects of Kodály-inspired pedagogy on recorder performance and attitudes toward music of secondary school students. A quasi-experimental design…
Descriptors: Secondary School Students, Music Education, Teaching Methods, Folk Culture
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Yi, Gina J. – Music Educators Journal, 2019
Korean folk music has been rarely included in the Western music curriculum due to limited materials for music teachers to use. This article introduces "Ganggangsullae", a prominent Korean folk tradition (called a "folk play" by Koreans) that incorporates singing and dancing, and discusses its historical background and the…
Descriptors: Foreign Countries, Folk Culture, Music Education, Cultural Awareness
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Howard, Karen – General Music Today, 2019
Folkloric music and dance in Bulgaria are performed as has been for generations, but also present are innovative hybrids in text, form, and instrumentation. Historically, traditional musical activities were divided by gender with singing a priority for women and playing instruments for men. This has been rapidly changing as in so many countries,…
Descriptors: Music Education, Dance Education, Folk Culture, Cultural Influences
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Whitener, John L. – Music Educators Journal, 2017
The author, John Whitener, traveled to Mongolia, "the land of blue sky," in the summer of 2013 and again in summer of 2016. Mongolia is a land of awe-inspiring geography, similar in many respects to the wilds of Alaska. Approximately half the country's population has migrated to Ulaan-Baatar and other urban areas because of harsh winters…
Descriptors: Foreign Countries, Folk Culture, Indigenous Populations, Musical Instruments
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Sokalskiy, Eduard; Chernikova, Tamara – European Journal of Contemporary Education, 2020
The present study takes an unconventional look at the challenges of bilingualism. High school students' level of the native Kalmyk language is viewed in connection to creative musical abilities (instrumental, vocal, choreographic) in the field of Kalmyk folk musical art. The vector of research is determined by the revitalization of the native…
Descriptors: Bilingual Students, Language Maintenance, High School Students, Folk Culture
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