Outlines a basic approach to "Readers Theatre," the communication of literature in a theatrical context. Contains the exercises "Sardines Today!" which promotes awareness of poetic setting, and "Dress Up Day!" which presents an opportunity to explore the role of suggestive costuming. (PRA)

Presents a sequence of exercises that address the importance of using words effectively, and considers the insensitivity so many young actors today have regarding the words they have been given by playwrights to say. Intends to help students better connect and deepen the meaning of the words they use as actors with the objectives they choose to…

Describes one school's experience taking a production on tour. Tells what happened during their preparation period, the choices that they made, and the answers to the statement "If I had to do over again...." Presents 11 lessons learned from their experience. Notes that touring a show teaches students invaluable lessons. (SG)

Ponders what students might learn from a course in playwriting: the ability to think in vivid instances and moments; the habit of close observation of the details of human behavior; the ability to think through and see through cliches; making hard choices; sympathy; dreaming within limits; and concision. (SR)

Describes infusing a non-western form or style of theatre into a play from the traditional American or European canon. Notes that the intention was not necessarily to accurately re-create complex and beautiful cultural theatre, but to spur the interest of the audiences and encourage them to delve deeper into those cultures. (SG)

This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The 19 dissertations deal with a variety of topics, including the following: the impact of Konstantin Stanislavski's ideas on motion picture acting in the United States and their significance for oral interpretation; the empathic…

Dramatic improvisation ideas for high school English teaching. (CH)

Prepared as an aid to implementing a theatre production course for grades 9 through 12, this guide is designed to enable students who are participating in play production activities to receive recognition and academic credit for their many hours of creative and educational endeavor. The first portion of the guide answers questions frequently asked…

Identifies several problems inherent in developing valid and reliable evaluative criteria for group performances and suggests some practical ways for dealing with these problems. (MH)

Traces the history of the youth theatre movement in general and specifically discusses the National Youth Theatre from its inception through the present. (Available From: CS 703 732) (MH)

Discusses the quality and value to students of recent Broadway plays. Noting that dramatic output is limited in size and content, recommends the use of an international English-language repertory for the education of young students. Cites British, Australian, Canadian, Caribbean, African and South African authors. (JG)

Describes an effective secondary school theatre program. Covers values, curriculum, production, audiences, class operations, standards, student directors, and pressures. (PD)

This performance guide is designed for teachers to use with students before and after a performance of the one-act musical based on Lucy Maud Montgomery's novel, "Anne of Green Gables," with music by Richard DeRosa and book and lyrics by Greg Gunning. The guide is designed to help teachers foster students' appreciation of theatre, dance,…

Briefly discusses the potential of radio theater for high school drama. Sketches a modest equipment layout that will provide students with the fundamental combination of hardware and wires to produce audio drama. (PD)

Decries the state of educational theatre in today's public schools. Calls for theatre teachers to make others aware of the potential of educational theatre in public schools. (PD)