Describes an art activity that incorporates storytelling with sculpture. Intermediate-level sculpture students create a sculpture that represents a family story, memory, or event. Describes the process and provides four examples, including stories and sculptures. (CMK)

Explains an art project in which students create a linear still life drawing on A2-size paper, duplicate the still life drawing from another viewpoint, and then use abstract design, integrating dynamic patterns and vibrant colors, that hide the still life images. (CMK)

Discusses a project that uses nature to teach students about texture. Explains that students collect items from nature with interesting textures, learn about those items, create a collage using those items, and draw the most interesting part of their collages. (CMK)

Describes an assignment that was used in an advanced drawing class in which the students created self-portraits, breaking up their images using planes and angles to suggest their bone structure. Explains that the students also had to include three realistic portions in their drawings. (CMK)

Describes the first assignment for an intermediate oil painting class in which the students painted the human figure. Explains that the assignment involved three techniques: (1) abstract application of acrylic paint; (2) oil "Paintstiks" from Shiva; and (3) a final layer of actual oil paint. (CMK)

Discusses an art project in which students created drawings of mop heads. Explains that the approach of drawing was more important than the subject. States that the students used the chiaroscuro technique, used by Rembrandt and Caravaggio, in which light appears out of the darkness. (CMK)

Presents an activity for beginning drawing classes in which students design and draw a composition of at least three candy wrappers. Explains that the project addresses form, techniques for overlapping, folding, and crinkling the candy wrappers, and adding proportion to give the illusion of three-dimensional space. (CMK)

Describes an easy and short art activity for seventh- and eighth-grade students called "Strink," a combination of the words string and ink. Explains that students swirl a string covered in ink on paper, locate an image in the ink smear, and create an artwork from the image. (CMK)

Describes a printmaking activity for use in tenth- to twelfth-grade art classes. Students use compact discs as printing plates, on which they depict a musical theme with drypoint etching. Discusses the process in detail. (CMK)

Describes a project that was inspired by a previous article in "Arts and Activities" entitled "The Same Old Contour Drawing...Not!" Explains that students learn basic drawing skills by drawing shoes while learning about contour shapes. Lists the needed art materials. (CMK)

Describes an art project where beginning drawing students used values and chiaroscuro techniques to draw bird nests. Explains how the students observed the nest that was displayed in the art classroom. Discusses the steps involved in creating the artworks. (CMK)

This course outline, intended for ninth and/or tenth grade students, is designed to: (1) help students develop evaluative criteria for various art forms; (2) become aware of the interrelationships of the arts; and (3) realize that all art forms are part of the individual's attempt to reflect upon and interpret the world in which they live. In the…

The instructional materials included in the document consist of 100 black and white ink drawings to be used as visual aids in the classroom. Designed primarily as overhead transparency masters, they may also be adapted for use as 35mm slides, in newsletters, student handouts, and as bulletin board materials. Most are ready to use; others…

Using the rattles of Native American cultures as inspiration, students used pinching, coiling, and slab and molding techniques to form the bodies of rattles and clay pellets for sound. Surface decoration included glazed and unglazed areas as well as added handles, feathers, and leather. (IS)

Describes laboratory methods for synthesizing chrome yellow, prussian blue, and phthalalocyanine blue; reviews chemical properties of artists' pigments including chemical structure and light-scattering properties; and explains how pigments are classified. (CS)