Describes a strategy, useful in content area classes as well as English classes, which concentrates on using writing as a means of developing students' automatic ability to use basic sight vocabulary. (SR)

Discusses what a review should do, journalistic standards, and presenting a strong and consistent critique. Suggests other things to review besides movies, gives an example of success, and offers an exercise on writing a sidebar to accompany a movie review. Offers four reviews written by students, and a short essay about the occasional danger of…

Discusses how earlier in his career the author did nothing to make nonfiction an integral part of his curriculum, nothing to help students critically read it or, more important, use it to inform the nonfiction he was asking them to write. Discusses a series of writing assignments using nonfiction. (SG)

Draws on the work of three students to argue for the value of treating writing as a tool for knowledge building. Claims when writing is used in this way, (1) students extend their repertoire of writing strategies, and (2) the effort students put into creating functionally effective texts plays a role in their learning. (NH)

This booklet offers practical ideas, specific examples, and realistic solutions to the most common writing problems that administrators face. The booklet's four chapters are: (1) Writing Basics (ideas on organization, reasons to write, writers' responsibilities, getting personal, and writing for a particular occasion); (2) Getting Started (getting…

States that incorporating a short poetry or drama unit in a composition course can stimulate both students and teachers and that the benefits include more creative thinking, better attitudes toward writing and assignments, and sharpened revision skills. (EL)

Describes how teachers can use the Bayeux Tapestry as the basis for writing games in many disciplines. Offers guidelines for conducting introductory lectures and preliminary investigations. Presents a series of writing games for the following disciplines: Art, Communications, English/Language Arts/Foreign Languages, History/Social Sciences, Home…

Reviews an instructional strategy for remedial writers which consists of four steps: identifying a strategy worth teaching; introducing the strategy by modeling it; helping students to try it out with workshop-style teaching guidance; and then, helping students to work toward independent mastery. (TB)

Describes a number of ghost stories from American cultures, all of which, despite their different origins, seek to stimulate horror, escapism, and fantastic pleasure. Suggests that the stories may be used to improve reading and writing and incorporate "rainbow" themes in the classroom. (TB)

Notes that learning new things is one of the most important reasons advisers send their editors and staff to summer workshops, and it is also the biggest reason for advisers themselves to go. Explains that in the atmosphere of a summer workshop, everyone shares a dedication to journalism. Concludes that most students and advisers come away from…

Argues that writing instruction is most effective when instruction focuses on inquiry which includes: utilizing concrete data, solving problems by using thinking strategies inherent in various writing tasks, focusing on student-centered problems, and encouraging student interaction with a minimum of teacher lecture. (JAD)

Reports on teaching strategies that strengthen students' reading skills in identifying how autobiographical writers signal specific purposes. Notes that students benefit from making stronger links between their reading and writing. (SR)

Preplanned textual flaws were presented to 29 deaf students. Revision performance of the students improved over age with 15-20 year olds performing significantly more acceptable surface level revisions than 10-14 year olds. Revision performance also correlated with reading ability. (Author/DB)

Highlights six journalistic vows that help to create a voice in a publication or in a writer. Shares four story beginning samples which reflect a cinematic approach, a creative dictate and encouragement of writer individuality even when reporters are working in teams. (MG)

Shares nine ways to help students develop their journalistic voice. (MG)