Rooted in graffiti culture and its attitude toward the world, street art is regarded as a postgraffiti movement. Street art encompasses a wide array of media and techniques, such as traditional spray-painted tags, stickers, stencils, posters, photocopies, murals, paper cutouts, mosaics, street installations, performances, and video projections…

This article features an arts education curriculum project that was designed to use the oeuvre of Rembrandt van Rijn--seventeenth-century Dutch painter, etcher, and draftsman extraordinaire--as a teaching resource. A partnership of scholars, university professors, museum educators, and classroom teachers designed the project, which uses Rembrandt…

Reviews the traditional approach to ceramics education that focuses on studio-based, formalist curriculum and Modernist concerns. Argues for a comprehensive, or contextual, ceramics education in high school classrooms that would include contextual information about ceramic objects. Discusses example ceramic objects by various artists. (CMK)

Describes three methods for making plaster masks: face casting, styrofoam wig head casting, and balloon casting. (RM)

One kind of printmaking that offers nice results with little complication and a minimum of materials is monoprinting with masks. The process is described. (RM)

The basics of four processes--serigraphy, intaglio, lithography, and relief--can be taught with low-cost tools and materials. A secondary-level semester course is described. (RM)

These student materials and teacher lesson plans focus on presenting the fundamental knowledge necessary for mastering basic drawing skills. The devises that create the illusion of reality are introduced as concepts critical to the development of accurate, high-fidelity drawing. These structured materials encourage students to learn to draw…

This resource unit is designed to be integrated into a secondary school art foundation course. The unit is aimed at providing connections between the views and purposes of art and the students' environment. Connections are made between art and world-wide views of art cultures, communities, families, and the individual student. The unit lessons,…

GRADES OR AGES: Grades 7-13. SUBJECT MATTER: Art. ORGANIZATION AND PHYSICAL APPEARANCE: The guide consists of two volumes. The first one outlines objectives and activities in several sections, and the second one contains a 430-item bibliography. Both volumes are offset printed and staple-bound with a paper cover. OBJECTIVES AND ACTIVITIES:…

Two high school art students designed and constructed papier-mache marionettes. Directions for marionette construction are included. (AM)

Presents four ceramics activities for secondary-level art classes. Included are directions for primitive kiln construction and glaze making. Two ceramics design activities are described in which students make bizarrely-shaped lidded jars, feet, and footwear. (AM)

Discusses the lack of research into the art education of students within the adolescent stage. Examines the rationales of secondary art education and addresses art education for this age level within New Zealand that characterizes Western art education. Includes references. (CMK)

Describes the different types of graffiti: (1) private forms of graffiti (doodling and latrinalia); and (2 public forms (gang graffiti, tags, and pieces). Uses teenage psychology to interpret adolescents' involvement in graffiti. Examines graffiti art in relation to its educational implications for secondary art education. (CMK)

This article advocates an approach for teaching critical and contextual studies in secondary art education based on Wittgenstein's philosophy of language in relationship to meaning as use, custom, rule following, and physiognomy. The references to meaning form four metaphorical points on a compass for directing the will for making judgments about…