One hundred and forty citations comprise this annotated bibliography of books, articles, and selected dissertations that encompass trends in music theory and k-16 music education since the late 19th century. Special emphasis is upon writings since the 1950's. During earlier development, music analysts concentrated upon the elements of music (i.e.,…

This article describes a workshop designed to give teachers an awareness of current music and the values expressed in its lyrics. (SJL)

This resource contains lessons and reproducible student worksheets for use with middle, junior, and senior high students. The lessons, which can be used as part of a general music program, a music appreciation class, or a humanities class, explore composers, music repertoire, careers, musical values, elements of music, personal music preferences,…

Discusses how listening, in conjunction with questioning and classroom dialogues, promotes critical thinking about music. Suggests that classroom interaction encourages analysis, synthesis, and evaluation of content. Lists ways music teachers can stimulate critical thinking, including an activity called structural dictation, and the development of…

In teaching courses on music at the secondary level, teachers should seek to broaden the horizons of beginners so that they may become more enlighted members of the audience world. Most formal courses in music at the secondary level are in the areas of music appreciation or harmony. Music appreciation usually begins with basic theory, with the…

This study is designed to evaluate the musical listening ability that children have acquired through present instructional practices. To obtain an estimate of what children learn, over 3,000 students in grades 4-7 were administered a Melodic Listening Survey (structured into nine subtests) by tape recording under the direction of their own…

This 9-week, Quinmester program is a survey of music in the jazz idion, particularly major musicians and their music of the last two decades. No musical prerequisites are necessary. Objectives include the ability to distinguish major performers, the blues form, instruments, major compositions and to become aware of jazz as an American art form,…

This secondary level Quinmester course is designed to teach the principal types of vocal, instrumental, and operatic compositions of the Romantic period through listening to the styles of different composers and acquiring recognition of their works. The course is intended for students who have participated in fine or performing arts and for pupils…

Reports on a study of music listening preferences among undergraduate college music majors, high school musicians in performance groups, and sixth-grade students in eight U.S. sites. Finds instrumental biases among high school and college musicians' preferences for relatively unfamiliar classical music. (CFR)

A course outline for teaching the basic elements of music at the junior high school level is presented. The course is divided into three units: rhythm and melody; harmony; and form. Each unit is sub-divided into concepts which deal with psychomotor and cognitive approaches. Activities for learning rhythm and melody include students' clapping the…

To help meet the needs of nonmusic-major students in grade 9, 10, 11, and 12, this teacher's guide offers guidelines for a course to stimulate students' interest and involvement in folksinging. Guidelines are provided on the role of the teacher, methods of instruction, and suggested time allotments. Brief descriptions and comments on some typical…

This 9-week, Quinmester course of study is designed to teach the principal types of vocal, instrumental, and operatic compositions of the classical period through listening to the styles of different composers and acquiring recognition of their works, as well as through developing fastidious listening habits. The course is intended for those…

Expresses concern that students need to be exposed to many musical options. Reports on a study of 242 high school students in select and nonselect choral ensembles. Finds that both groups prefer popular music over other genres and that nonselect choir members rated country music higher than select choir members did. (CFR)

Discussion of adolescent rebelliousness highlights a study of high school students that explored the relationship between rebelliousness as a personality trait and the enjoyment of defiant rock music. Hypotheses tested are discussed, the use of MTV concept music videos is explained, gender differences are considered, and further research is…